Ding Yue

Three childhood friends from the slums of Hong Kong flee to war-time Saigon after accidentally murdering a gang leader, but their troubles only escalate.

Jun arrives in Hong Kong from mainland China, hoping to be able to earn enough money to marry his girlfriend back home. He meets the streetwise Qiao and they become friends. As friendship turns into love, problems develop, and although they seem meant for each other they somehow keep missing out.

In 1937 Shanghai, a soldier and a young woman have an awkward meet-cute in darkness under a bridge as they seek refuge during a bomb raid. Ten years later, the soldier, now a burgeoning songwriter and tuba-player in a marching band, is back in town desperately searching for his would-be soulmate. As fate would have it they end up living in the same building unbeknownst to each other. Through a series of mishaps, he mistakes her new ingénue roommate for his love interest and wacky love triangle hijinks ensue.

A rich man's son believes himself to be the best kung fu fighter in Canton. Unfortunately, his father, anxious for his son's safety, bribes all his opponents to lose. After a humiliating defeat at the hands of an actor in a traveling theatre company, the son resolves to find a better teacher.

Hung Tai-Kong aka Rice Pot and Chan Yin-Tung aka Chimney are two friends who work with their master Kam Ming and his daughter Ann as a team of pickpockets.

When Ming, an inveterate gambler at mahjong, is given a lucky tablet by a blind peddler, his overwhelming greed takes over his life. Upon a lapse in winning, he is forced to sell his ancestral home, the Tao Tao mansion, unaware this home was the scene of a heinous sexual assault and murder during World War II and has been haunted ever since.

A movie on the life of the renowned Bruce Lee, especially his relationship with his mistress.

Hong Kong fantasy film directed by Chiu Shu-San.

This documentary tells the story of Bruce Lee and his unsuccessful efforts to start a acting career in the U.S., he returned to Hong Kong where he became an international star, and his death at age 32.

Cousin Big returns home from the UK in order to find a wife and settle down. He has previously driven out his illegal immigrant friend Ma from the UK and the scores aren't settled. That is all cast aside when not only one, not two but three ghosts are to be dealt with and one is Cousin Big who has fallen in love with one of the ghosts.

A fierce robber has plotted a major heist. But unfortunately, his plan was unintentionally foiled by two dispirited middle-aged best friends, and the stolen cash disappears.

The war between men and women never ends... Last time, Tin, Dr. Lee and Chao failed in the "mission", but they didn't take this as a lesson. They are more cautions these years and success to fool around behind their wives. This time, the team grows by a new comer - a university student Sai. At the same time, Mary, Ching, Chao's wife and Ling (Sai's girlfriend) get a DVD from Auntie Ninth. It is a very popular DVD among women recently, which is a documentary to teach women how to fooling around. Four women go to Macau to break the bond of morality. It is too late when the men discover this. They rush to Macau to ruin the women's plan. A battle between women and men begins...

Hong Kong comedy film.

Kwok Ching is a soon-to-retire television weatherman who really has long aspired to be a news anchor. At home, he's single-handedly brought up three children, but they are fed up with him meddling in their lives. His eldest daughter Mei Mei is a successful lawyer, and married to househusband Yao Ming. Tomboyish second daughter Ching Ching manages a supermarket and is in love with sissy promoter Lok Yi Nga. The youngest son Fu Shing is an otaku enamored with beautiful starlet Vivian and he unwittingly becomes the romantic rival of billionaire Roberto. Meanwhile, struck by the shocking news of the world's impending doom, Kwok Ching is determined that he must reunite his family before it's too late...

A homeless wanderer just happens across various articles of clothing that make him resemble Charlie Chaplin much to the amusement of passersby.

Chi Mo Sai (Yuen Wah) meets Wong (Roger Kwok) in Auntie Fei's (Yuen Qiu) cafe and learns that Wong has photographic memory. He decides to exploit this skill by teaching Wong how to play Mahjong, but Fei, Wong's boss, strongly objects to it. Despite Fei's objections, Wong learns Mahjong from compulsive gambler Chi Mo Sai. He impresses triad boss Tin Kau Ko (Wong Jing). Wong falls in love with Tin's mistress (Theresa Fu) and is beaten by Tin's men. Wong then becomes crazy. Luckily, Fei cured him using Mahjong. Fei wanted Wong to beat Tin in the "King of Mahjong" competition and be the King of Mahjong. The film ends with a climactic "King of Mahjong" Competition. It is the only film made in 2005 to boast of having a sequel made in 2005.

Frankie Chan and Max Mok are high-class car thieves whose sticky fingers get them in trouble with some gangsters, and then some really nasty gangsters. Tough policewoman Yukari Oshima wants to put the thieves behind bars, but realizes that by working together against the gangsters they can both benefit more.

Tensions arise when Jack Chan, a spineless constable who regards his work as a job but not a career, is partnered with an energetic and conscientious policewoman, Man Liu. When a serial killer emerges in Hong Kong, Man Liu swears to catch him. Jack is impressed by her bravery and decides to secretly protect her.

The Pye-Dog, produced by Teddy Robin and written and directed by Derek Kwok, contained all the necessary ingredients for a story of friendship and camaraderie between a man and a boy. Both orphans, they bond together through school, but a secret one of them has of his true intentions threaten that established friendship, with a questioning of loyalties.

Tang Wan-tung, the son of a Southeast Asian Sultan is a student in Hong Kong. Only Uncle Mui, his guardian, knows his identity. Tang is known as "student prince". He organises an embassy variety show. Tang invites Lai Tsi-king, who has a lovely voice, to perform in it, but it ruins her chance to study music abroad. Lai’s parents want her to marry Tung Fook-si, the son of a merchant. Lai asks Tang to act for her parents, like a prince courting her. Her parents are convinced, but Tung is not fooled. Tang smuggles Lai out to perform in the embassy. Lai's performance earns her a chance to study overseas, but her parents will not support her. Tang borrows money from his father, but is refused. He pawns his father’s ring to help Lai pay the tuition. Tung takes his father's ring and sells it. Tung's father alerts the police. The rings turn out to be a pair. The police think Tang stole the diamond ring, but Mui tells the truth. Tung is arrested and Tang and Lai have a happy ending.

"Romeo and Juliet" in Hong Kong, except the widow Capulet is father Montague's childhood sweetheart. The young lovers try to reconcile their mothers with the help of the father, who is left with a bad taste in his mouth.

Wong Fei-Hung and the Lantern Festival Disturbance is a 1956 Wong Fei-Hung movie directed by Wu Pang.

Sha Yung (Wang Sha) and Shuang La (Lin Hui-huang), a sly duo with some kung fu skills, make their living through clever schemes. After accumulating a sum of money through less-than-honest means, they venture into the “consultancy” business, which proves to be a thriving enterprise. Their path crosses with Ah Ying (Yang Tsing-tsing), who disguises herself as a man. Upon learning that she is being pursued by her widowed stepmother, Hua (Lo Wan-yin), and Hua’s lover, who conspired to harm Ying’s father, Sha Yung and Shuang La extend their sympathy. Hua employs a professional assassin to attack Ying’s hideout . The two resourceful con-artists assist Yang to resist the assault. Eventually, they capture Hua and her partner in crime, setting the stage for a reckoning with justice.

shaw production

An alluringly low-key and enigmatic portrayal of the alienation, disillusionment and loss of direction that have become widespread among young people in contemporary China. Filmed in elegant and absorbing long takes, the film interweaves the lives of several rootless people who become linked with one another by chance, by their sexual obsessions, and by the loss of a mobile phone…

An alluringly low-key and enigmatic portrayal of the alienation, disillusionment and loss of direction that have become widespread among young people in contemporary China. Filmed in elegant and absorbing long takes, the film interweaves the lives of several rootless people who become linked with one another by chance, by their sexual obsessions, and by the loss of a mobile phone…