Ernesto Martínez Bucio

A mother and her son look for the possibly dead body of a relative while everyone else seems more interested in a soccer tournament.

Yuli (38) is the Topila (auxiliary police) of San Pablo Begu', a mountain community in Oaxaca where the inhabitants assume the responsibilities of self-government on a rotating basis on an honorary basis (Comunalidad) at the same time as they carry out their work and personal activities. At the entrance to the town, they hold back a group of machinery that is trying to move into the community to begin construction of a four-lane highway. No one in authority is aware of this and the community is on alert. San Pablo Begú will have to decide whether or not to accept the road project.

I can’t tell my name. I am 3 months pregnant. They pay us to take care of people with my boyfriend. We want to leave. Have enough money but they brought another guest. He’s 8 years old. We’ve never taken care of any kid before. He’s getting sick and my boyfriend doesn’t want to do anything.

David Maite short ankle with the nail of his foot. With Origami involved, it begins tomorrow in which their relationship will end.

In mid-90s Mexico City, five young siblings are left in the care of their grandmother after their parents suddenly disappear. As they fight to survive, the line between reality and something darker starts to blur. The grandmother, haunted by eerie visions and deepening fears, becomes more distant, while the children’s grip on reality begins to unravel. After a clash with their neighbors, the siblings withdraw even further into isolation, cutting themselves off from the outside world.

Reeling from her mother’s death when she is diagnosed with cancer, Mariana preserves her mother’s voice via cassettes and creates false recordings and invented memories as her family struggles with grief.

A mother and her son look for the possibly dead body of a relative while everyone else seems more interested in a soccer tournament.

Yuli (38) is the Topila (auxiliary police) of San Pablo Begu', a mountain community in Oaxaca where the inhabitants assume the responsibilities of self-government on a rotating basis on an honorary basis (Comunalidad) at the same time as they carry out their work and personal activities. At the entrance to the town, they hold back a group of machinery that is trying to move into the community to begin construction of a four-lane highway. No one in authority is aware of this and the community is on alert. San Pablo Begú will have to decide whether or not to accept the road project.

I can’t tell my name. I am 3 months pregnant. They pay us to take care of people with my boyfriend. We want to leave. Have enough money but they brought another guest. He’s 8 years old. We’ve never taken care of any kid before. He’s getting sick and my boyfriend doesn’t want to do anything.

David Maite short ankle with the nail of his foot. With Origami involved, it begins tomorrow in which their relationship will end.

David Maite short ankle with the nail of his foot. With Origami involved, it begins tomorrow in which their relationship will end.

In mid-90s Mexico City, five young siblings are left in the care of their grandmother after their parents suddenly disappear. As they fight to survive, the line between reality and something darker starts to blur. The grandmother, haunted by eerie visions and deepening fears, becomes more distant, while the children’s grip on reality begins to unravel. After a clash with their neighbors, the siblings withdraw even further into isolation, cutting themselves off from the outside world.

In mid-90s Mexico City, five young siblings are left in the care of their grandmother after their parents suddenly disappear. As they fight to survive, the line between reality and something darker starts to blur. The grandmother, haunted by eerie visions and deepening fears, becomes more distant, while the children’s grip on reality begins to unravel. After a clash with their neighbors, the siblings withdraw even further into isolation, cutting themselves off from the outside world.

Reeling from her mother’s death when she is diagnosed with cancer, Mariana preserves her mother’s voice via cassettes and creates false recordings and invented memories as her family struggles with grief.

Javier and Elisa have committed a murder. María, Javier's mother, has to decide whether or not to help her son.

Javier and Elisa have committed a murder. María, Javier's mother, has to decide whether or not to help her son.