Karin Jurschick

In 1974, the woman kills herself. I meet the man again in 1997. He still lives in the apartment he moved into 41 years ago with his wife and child. The apartment is almost unchanged. The man is my father. After that and over the following two and a half years, I make recordings with a DV camera. I observe the father, even following him on a boat trip through the Caribbean. The camera allows distance, but also closeness.

Witness firsthand the struggle of the charismatic and controversial US attorney who, since 9/11, has been charged with the impossible task of assigning a dollar value to life when compensating victims of America’s most tragic events.

What do Dietrich Oepke, former GDR model plane champion, Dave Anthony, developer of “Call of Duty” and James Gimzewski, Professor of Nanoarchitecture have in common? They are all players. Concrete or virtual, with quadcopters, futuristic weapons or experiments with an artificial brain, they play with human and technical possibilities. How real are their visions of the future? What do they have in common with developers of unmanned war machines and drone pilots? A cinematic journey.

What do Dietrich Oepke, former GDR model plane champion, Dave Anthony, developer of “Call of Duty” and James Gimzewski, Professor of Nanoarchitecture have in common? They are all players. Concrete or virtual, with quadcopters, futuristic weapons or experiments with an artificial brain, they play with human and technical possibilities. How real are their visions of the future? What do they have in common with developers of unmanned war machines and drone pilots? A cinematic journey.

No synopsis available yet.

In 1974, the woman kills herself. I meet the man again in 1997. He still lives in the apartment he moved into 41 years ago with his wife and child. The apartment is almost unchanged. The man is my father. After that and over the following two and a half years, I make recordings with a DV camera. I observe the father, even following him on a boat trip through the Caribbean. The camera allows distance, but also closeness.

In 1974, the woman kills herself. I meet the man again in 1997. He still lives in the apartment he moved into 41 years ago with his wife and child. The apartment is almost unchanged. The man is my father. After that and over the following two and a half years, I make recordings with a DV camera. I observe the father, even following him on a boat trip through the Caribbean. The camera allows distance, but also closeness.

In 1974, the woman kills herself. I meet the man again in 1997. He still lives in the apartment he moved into 41 years ago with his wife and child. The apartment is almost unchanged. The man is my father. After that and over the following two and a half years, I make recordings with a DV camera. I observe the father, even following him on a boat trip through the Caribbean. The camera allows distance, but also closeness.

24-hour television documentary about Berlin and its inhabitants, reporting in real time on the everyday lives of more than 50 protagonists from a wide range of professions, social classes, religions and ethnicities.

No synopsis available yet.