José Marinho

Acting

José Marinho

Born — Died

1933-02-12 — 2021-07-13

Place of birth

Canhotinho, Pernambuco, Brazil

Known for

Acting

Credits

31 titles

Known for

Film credits

2010s · 4 titles

1980s · 5 titles

1970s · 6 titles

1960s · 11 titles

The Red Light Bandit poster
7.6

Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.

The Red Light Bandit

1968

Entranced Earth poster
7.2

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

Entranced Earth

1967

Desesperato poster
7.0

Directed by Sérgio Bernardes Filho, "Desesperato" tells the story of a writer (Raul Cortez) who leaves his home to carry out literary research in the country's most obscure settings. Unhappy with the current national situation, the historian joins a guerrilla force with serious consequences.

Desesperato

1968

Perpétuo Contra o Esquadrão da Morte poster
9.0

Inspired by the life of one of the most famous policemen in the history of Brazil: detective Perpétuo de Freitas, immortalized in the annals of Brazilian criminal history for relentlessly pursuing and without the slightest assistance of the Rio police force one of the most wanted criminals in the country.

Perpétuo Contra o Esquadrão da Morte

1967

Maria Bonita, Rainha do Cangaço poster
7.5

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

Maria Bonita, Rainha do Cangaço

1968

The Hour and Turn of Augusto Matraga poster
7.7

Augusto Matraga is a violent agressive farmer who, after being betrayed by his wife and trapped by several enemies, is beaten up and left for dead, being rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple, Matraga starts a long penitent life while waiting for his hour and chance to payback, starting a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him.

The Hour and Turn of Augusto Matraga

1965

Journey to the End of the World poster
9.2

During a flight, passengers confront their aspirations, frustrations, fears, wishes and fears, mixing up reality and fiction.

Journey to the End of the World

1968

On Borrowed Time poster
6.8

During the Brazilian military government, journalist Estêvão is sent from Rio de Janeiro to Brasilia to cover the important statement of a minister, but takes the opportunity to deliver incriminating documents to another one.

On Borrowed Time

1968

Meu Nome é Lampião poster
9.2

Lampião's gang raids a farm just as the wedding of Antônio Saraiva and the Baroness's goddaughter is being prepared. In the shootout, Lampião's brother, Ezequiel, is killed, and in revenge, Lampião burns the Baroness alive and orders the bride to be beaten. Upon arriving at the farm, Antônio discovers everything and vows to follow the gang's footsteps to hell. The cangaceiros continue their atrocities, robbing, killing, and looting, until a priest places a curse on Lampião. The curse transforms into the avenging figure of Antônio, who acquires supernatural powers. He meets Lampião during Maria Bonita's birthday party, and a life-or-death duel ensues.

Meu Nome é Lampião

1969

El Justicero poster
5.9

A shockingly irreverent follow-up to the rural austerity of Barren Lives, dos Santos’ Godardian social satire owes more than a nod to the self-conscious antics of the French New Wave. The pampered son of a general, El Justicero is a hipster playboy who fancies himself a James Bond/Jean Paul Sartre urban hero. “Archetypical” yet “full of contradictions,” he sees that justice is achieved for the disadvantaged while taking advantage of certain bourgeois perks. His exploits are closely followed and eventually directed by his biographer who decides a film is not only more lucrative than a book, but it gives him the luxury of reviewing previous scenes. Unlike Bond, El Jus eventually experiences an awakening which threatens to compromise the entertainment value and glamour of his life story. - Harvard Film Archive

El Justicero

1967

The Outsiders poster
9.0

Guilherme, who has the police on his trail for having been involved with a niece of the mayor of his city, runs away with the girl after receiving threats. On the other side is "Papo Amarelo": a bandit from Rio de Janeiro who spends the rest of his problematic life acting in robberies.

The Outsiders

1968