Gastón Andrade

This is a story that explores mourning.

For a long time, the town of Cherán, in Michoacán, was harried by members of the drug traffic who would extort the population, and destroy the forests nearby. Armed with sticks and stones, the inhabitants of the region decided to join forces and to banish the organised crime, to end with the clandestine tree felling and to reforest the forests.

Through a letter, a son narrates the disappearance of his mother on the night of October 2, 1968, as well as the search that his father undertook until death without finding it.

Hundreds of meters away, above the clouds. Farther, far beyond everything. You are hiding, Susana. Hiding in the immensity of God. Where I cannot reach you or see you and where my words do not reach. –Pedro Páramo, by Juan Rulfo.

Art is a freedom for those who make it and for those who look at it. A freedom that ends when the violence starts. In Mexico, every day eleven women are murdered and in more than ninety percent of the cases impunity prevails. Through the testimony of seven women, this documentary essay reflects on femicide and the destruction that this leaves a country and its culture. Because in times of horror, art cannot be the same, every time a woman is murdered, a museum or a library collapses in the world.

Emilio, a six year old, feels deeply troubled by his parents' recent separation. Aware of his anguish, his grandmother decides to undertake a special mission to alleviate his emotions: to make him believe that he has the power to become invisible. Through this shared fantasy, they embark on an emotional journey where they learn to look beyond the superficial and recognize the true value of family bonds.

This is a story that explores mourning.

This is a story that explores mourning.

For a long time, the town of Cherán, in Michoacán, was harried by members of the drug traffic who would extort the population, and destroy the forests nearby. Armed with sticks and stones, the inhabitants of the region decided to join forces and to banish the organised crime, to end with the clandestine tree felling and to reforest the forests.

Through a letter, a son narrates the disappearance of his mother on the night of October 2, 1968, as well as the search that his father undertook until death without finding it.

Through a letter, a son narrates the disappearance of his mother on the night of October 2, 1968, as well as the search that his father undertook until death without finding it.

Hundreds of meters away, above the clouds. Farther, far beyond everything. You are hiding, Susana. Hiding in the immensity of God. Where I cannot reach you or see you and where my words do not reach. –Pedro Páramo, by Juan Rulfo.

Hundreds of meters away, above the clouds. Farther, far beyond everything. You are hiding, Susana. Hiding in the immensity of God. Where I cannot reach you or see you and where my words do not reach. –Pedro Páramo, by Juan Rulfo.

Hundreds of meters away, above the clouds. Farther, far beyond everything. You are hiding, Susana. Hiding in the immensity of God. Where I cannot reach you or see you and where my words do not reach. –Pedro Páramo, by Juan Rulfo.

Art is a freedom for those who make it and for those who look at it. A freedom that ends when the violence starts. In Mexico, every day eleven women are murdered and in more than ninety percent of the cases impunity prevails. Through the testimony of seven women, this documentary essay reflects on femicide and the destruction that this leaves a country and its culture. Because in times of horror, art cannot be the same, every time a woman is murdered, a museum or a library collapses in the world.

Art is a freedom for those who make it and for those who look at it. A freedom that ends when the violence starts. In Mexico, every day eleven women are murdered and in more than ninety percent of the cases impunity prevails. Through the testimony of seven women, this documentary essay reflects on femicide and the destruction that this leaves a country and its culture. Because in times of horror, art cannot be the same, every time a woman is murdered, a museum or a library collapses in the world.

Emilio, a six year old, feels deeply troubled by his parents' recent separation. Aware of his anguish, his grandmother decides to undertake a special mission to alleviate his emotions: to make him believe that he has the power to become invisible. Through this shared fantasy, they embark on an emotional journey where they learn to look beyond the superficial and recognize the true value of family bonds.

Emilio, a six year old, feels deeply troubled by his parents' recent separation. Aware of his anguish, his grandmother decides to undertake a special mission to alleviate his emotions: to make him believe that he has the power to become invisible. Through this shared fantasy, they embark on an emotional journey where they learn to look beyond the superficial and recognize the true value of family bonds.