Salvador Hernández

Traces over three generations an immigrant family's trials, tribulations, tragedies, and triumphs. Maria and Jose, the first generation, come to Los Angeles, meet, marry, face deportation all in the 1930s. They establish their family in East L.A., and their children Chucho, Paco, Memo, Irene, Toni, and Jimmy deal with youth culture and the L.A. police in the '50s. As the second generation become adults in the '60s, the focus shifts to Jimmy, his marriage to Isabel (a Salvadorian refugee), their son, and Jimmy's journey to becoming a responsible parent.

Oscar works in a public bath, where he murders several people.

Gerardo, a 17-year old guy has just finished his relationship with Bruno and starts wandering hopeless through the streets of the city. In his wandering he's tortured by images: each masculine body he sees reminds him of his lover. Gerardo is determined to keep what's left of his dying love. The only comfort he has is a letter that Bruno left him with his boss.

Inspired by the life of Toluca-born boxer Ernesto Barrera, who became the national flyweight champion in 1960. It portrays the meteoric career, rapid rise, and tragic downfall of the fighter, from his impoverished childhood and early days in boxing to his death in 1983, brought about by alcoholism.

The unveiling of a statue honoring Emiliano Zapata becomes the site in which the demands of a struggling city are manifested through the speech of a young boy.