Gabriel Martins

Luiza will turn 15. Raquel has some dreams.

The quiet city of Veredas is home to Casa Rosa, a famous brothel in the backlands of Minas Gerais managed by Ismael's mother, known to everyone as O Filho da Puta. Tired of his life, the young man leaves with his dog towards the coast in search of the father he never knew. Along the way, he finds himself faced with situations that, at the same time as they transform him, insist on reminding him of the fate he is fleeing.

A man waits on the top of his house's roof with his friend. They are talking to each other until this friend realises something quite strange.

A middle-class Black family in Brazil copes with the election of a far-right extremist president. The mother believes that she's cursed after an unexpected encounter, while her husband puts all of his hopes into their son's soccer career.

Vicentina struggles to cope with the death of her son Wesley after a tragic bus accident, in which he was the driver. As the investigation unfolds, evidence suggests that Wesley’s actions may have been suicidal. Vicentina then embarks on a journey to seek out the victims’ families and apologize, while confronting her own grief and uncertainty.

Travel through time without leaving your place.

Luiza will turn 15. Raquel has some dreams.

A man waits on the top of his house's roof with his friend. They are talking to each other until this friend realises something quite strange.

A middle-class Black family in Brazil copes with the election of a far-right extremist president. The mother believes that she's cursed after an unexpected encounter, while her husband puts all of his hopes into their son's soccer career.

A middle-class Black family in Brazil copes with the election of a far-right extremist president. The mother believes that she's cursed after an unexpected encounter, while her husband puts all of his hopes into their son's soccer career.

A middle-class Black family in Brazil copes with the election of a far-right extremist president. The mother believes that she's cursed after an unexpected encounter, while her husband puts all of his hopes into their son's soccer career.

Vicentina struggles to cope with the death of her son Wesley after a tragic bus accident, in which he was the driver. As the investigation unfolds, evidence suggests that Wesley’s actions may have been suicidal. Vicentina then embarks on a journey to seek out the victims’ families and apologize, while confronting her own grief and uncertainty.

Vicentina struggles to cope with the death of her son Wesley after a tragic bus accident, in which he was the driver. As the investigation unfolds, evidence suggests that Wesley’s actions may have been suicidal. Vicentina then embarks on a journey to seek out the victims’ families and apologize, while confronting her own grief and uncertainty.

Travel through time without leaving your place.

In order to take a new job as an employee in the public sanitation department, Juliana moves from the inner city of Itaúna to the metropolitan town of Contagem in Brazil. While waiting for her husband to join her, she adapts to her new life, meeting people and discovering new horizons, trying to overcome her past.

The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.

The inhabitants of the Brazilian city of Contagem yearn for a better life. At the core of it all is Selma, a woman dreaming about the heart of the world: it could be anywhere, as long as it's a place where to feel happier.

Five undercover cops at Complexo do Alemão, one of Rio de Janeiro's most dangerous areas, have their covers blown by drug dealers. Arrested, they wait execution or to be rescued by police forces that would risk expose a larger operation.

With its obvious simplicity, the film’s title happens to set the mood of the film, or at least its guiding principle: staying anchored in everyday life. More precisely, the life of Maria José and Norberto, who have been married for 35 years and who live in Contagem, in the suburbs of Belo Horizonte. Their marriage is on the rocks, which leads their two sons to also wonder about the future of their own relationships with their wives. The story is quite ordinary. How can one capture such an impercep- tible shift in the heart of the banality of things, only made more noticeable by a crisis? Filming his own family, his own parents, his brother and himself, André Novais Oliveira has chosen to take his time. He shots long sequences, leaving enough time for the fictional situations on which he puts his characters to grow and unfold. Then he uses wide frames to linger on more mundane, concrete or at times farcical moments: eating an orange, cooking, watching television...

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

In 2011, during a blackout in an outskirt neighborhood’s street, a family – surrounded by candles that light conversations and thoughts – awaits the return of electricity. Now, ten years later, the light tries to impose its place towards the shadows of memory.

Tereza, born during the Coronavirus pandemic in 2020, is being cared for by her parents Rimenna and Gabriel.

Tereza, born during the Coronavirus pandemic in 2020, is being cared for by her parents Rimenna and Gabriel.

Dona Sônia seeks revenge for the death of her only son.

Dona Sônia seeks revenge for the death of her only son.

Dona Sônia seeks revenge for the death of her only son.

Pilo, Panda and Isaac are childhood friends. One of them decides to ask his girlfriend to marry him at sameday the other two learn she is cheating on him with her gym instructor

Zeca tries to get up early to catch the bus and arrive an hour and a half later at the neighboring town’s school, where he works as a librarian. Waking up early is evermore difficult: something prevents him from maintaining his routine. One day, Zeca meets Louisa.

"At nature nothing is lost, nothing is created, everything is transformed."

"At nature nothing is lost, nothing is created, everything is transformed."

"At nature nothing is lost, nothing is created, everything is transformed."

An elderly woman films what she doesn't want to forget.

An event, four people and the city of Contagem.

An event, four people and the city of Contagem.

An event, four people and the city of Contagem.

Erik, a 13-year-old boy, has a platonic crush on Sheila and, to get closer to her, claims to have a tape at home with the legendary “last episode” of the cartoon Dungeons & Dragons. With the help of his friends, he seeks a way out of the mess he has gotten himself into, experiencing an intense coming-of-age story.

Maria José Novais Oliveira, a black woman, resident on the outskirts of Contagem, already in her 60s, has become a film actress, with an award-winning career in Brazil and internationally. This documentary recalls the image of a unique woman who marked Brazilian cinema in the 2010s.

No synopsis available yet.

No synopsis available yet.

It's Saturday morning and André has had an idea...

My meeting with the end of the world.

Brazil, 1930. Marcos and his family (descendants of slaves) left the Jequitinhonha Valley for the Mucuri Valley. Fleeing from the drought, hunger and violence in the countryside, the "quilombolas" sought a new territory to build their community. Decades later, when everything seems to be in peace, a huge construction company wants to build a dam in Marques' territory.

Mordock is a dog. Shaolin is a bricklayer. Gabriel is a filmmaker.

Mordock is a dog. Shaolin is a bricklayer. Gabriel is a filmmaker.

Bia just turned eighteen. The end of the year is coming and also the ACTs. People at school and Bia’s parents are pressuring her to decide which graduation she will apply for. Bia doesn’t want to do anything.