Pia Andell

Shelter (Suodji) is an adaptation of an old story from Utsjoki, Sápmi, to the present. It is a legend of what the director´s relative, Ovllá-Ivvár Helander, did during the Spanish flu epidemic in 1918 in Utsjoki. Ovllá-Ivvár decided to fool Death and take his fate into his own hands. Today we are facing similar threats. The protagonist of the film is walking in Ovllá-Ivvár´s footsteps. But at the end, who its really who?

Two middle-aged women on a tennis court. One experienced, the other one not so much. One hour match. The psychological game starts. Match is a film about in direct and direct aggression and how to finally express suppressed feelings.

Everything is just perfect, and then, boom!

A short film about communication.

16-year old girl has lost her grandfather. She takes her grandfather's old film camera and gets interested in photographing. During the process of getting better in her new hobby, she also learns how to see things with the new eyes.

Sara Hildén was maybe an artist, from Tampere, or maybe a patron? A business woman? Most of the Finnish people add her name into Sara Hildén art gallery, but her story included much more.

Two middle-aged women on a tennis court. One experienced, the other one not so much. One hour match. The psychological game starts. Match is a film about in direct and direct aggression and how to finally express suppressed feelings.

Two middle-aged women on a tennis court. One experienced, the other one not so much. One hour match. The psychological game starts. Match is a film about in direct and direct aggression and how to finally express suppressed feelings.

Everything is just perfect, and then, boom!

Everything is just perfect, and then, boom!

A short film about communication.

A short film about communication.

A short film about communication.

16-year old girl has lost her grandfather. She takes her grandfather's old film camera and gets interested in photographing. During the process of getting better in her new hobby, she also learns how to see things with the new eyes.

Sara Hildén was maybe an artist, from Tampere, or maybe a patron? A business woman? Most of the Finnish people add her name into Sara Hildén art gallery, but her story included much more.

Sara Hildén was maybe an artist, from Tampere, or maybe a patron? A business woman? Most of the Finnish people add her name into Sara Hildén art gallery, but her story included much more.

A documentary film about Finnish marshall Mannerheim and his visit to Germany during nazi period.

Reconstruction tells about a certain night in 1982, reconstructed in 2020 by the people who lived it through together. The film combines dance, drama and documentary, but most of all is a story of a friendship of a boy and a girl, and how jolly situations can turn sour and how, even though close, friends do not share same experiences – and that can have an effect on their friendship.

Reconstruction tells about a certain night in 1982, reconstructed in 2020 by the people who lived it through together. The film combines dance, drama and documentary, but most of all is a story of a friendship of a boy and a girl, and how jolly situations can turn sour and how, even though close, friends do not share same experiences – and that can have an effect on their friendship.

In a Chekovian setting, old friends – four women and three men – gather at a modest villa by the sea, near a cemetery and medieval ruins, to have a perfect day of drinking, eating and going to the sauna. All have something on their mind, and they do their damnest not to open up about it.

In a Chekovian setting, old friends – four women and three men – gather at a modest villa by the sea, near a cemetery and medieval ruins, to have a perfect day of drinking, eating and going to the sauna. All have something on their mind, and they do their damnest not to open up about it.

In a Chekovian setting, old friends – four women and three men – gather at a modest villa by the sea, near a cemetery and medieval ruins, to have a perfect day of drinking, eating and going to the sauna. All have something on their mind, and they do their damnest not to open up about it.

Child No. 182 is a documentary film about child protection practices in Finland in the 60s and 70s. It tells the story of a little girl who is placed from orphanages to summer colonies and foster homes. The film is based on the reports of social service officials and other authorities and is shot mainly on 8mm film. Director Camilla Roos makes a deep dive into her own childhood from her birth to when she was 8 years old.

In 1938 two young architects, Ragnar and Martta Ypyä, known as Y and Mirri, buy an 8mm camera. Together, they start filming the everyday life of Vyborg. But one year later, life in Vyborg changes irrevocably. The Soviet Union attacks Finland. The Winter War has destroyed the city. Mirri flees to the countryside; Y stays in Vyborg, helping to repair the bomb damage. But they carry on filming.

In 1938 two young architects, Ragnar and Martta Ypyä, known as Y and Mirri, buy an 8mm camera. Together, they start filming the everyday life of Vyborg. But one year later, life in Vyborg changes irrevocably. The Soviet Union attacks Finland. The Winter War has destroyed the city. Mirri flees to the countryside; Y stays in Vyborg, helping to repair the bomb damage. But they carry on filming.

No synopsis available yet.