Franco Bernini

Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.

Documentary about Italian screenwriting legends Agenore 'Age' Incrocci and Furio Scarpelli.

The story of the last 55 days of Aldo Moro, seen from the point of view of his students.

Italian Made-for-TV film by Alberto Negrin.

In a hidden corner of Cinecittà there is a magical place that no one knows about and that was about to disappear. It is STUDIO EL founded in 1983 by Ettore Scola and Luciano Ricceri. A creative space, a sort of Renaissance workshop, a factory. A place where the two great friends prepared their great films in Cinecittà, but where they gave the opportunity to many young people to grow and improve their professionalism. After the passing of Ettore Scola and Luciano Ricceri, time at Studio E.L stopped along with many objects that are the memory of almost 40 years of history of our cinema. Before Studio EL closes forever, becoming a museum space inside Cinecittà, we would like to give the objects it contains the value they deserve and tell their stories.

Saverio, a dentist, comes out as naive as usual while he falls in love with Alia, a Russian immigrant he met in Rome. He must now deal with issues a guy like him would never have thought to come across.

A mythical land who must be discover. Or invented. In an impressive library, two old men. One is a great Polish archaeologist at the end of his work. The second- his best friend. They are masters of a substantial slice of human history: legendary Atlantis. It is refuge and masterpiece, propriety and treasure.

1848, Tuscan countryside. Edo and Lupo are two peasants running away after having robbed their boss. Chased by mercenaries, they'll meet bandits, damsels in distress, eccentric nobles, and revolutionaries along the way.

No synopsis available yet.

No synopsis available yet.

A neurotic lawyer is split between the desire to stay faithful to his fiancée and the one to cheat on her. Things take a turn for the literal when one night he splits into two different versions of himself, a soon-to-be-married one and a confirmed bachelor one.

Pilate and the Roman legate Veturius look on worriedly as Jesus is celebrated as the new messiah in Jerusalem, fearing an uprising. Veturius decides to have Jesus arrested as soon as a suitable opportunity presents itself. Judas is delighted by the reception Jesus is receiving, and quickly wants to win over the influential merchants to the cause which would make him the king and the liberator of the Jews.

During a hot Sunday afternoon in a small Southern Italian town, a school serving as a polling place is occupied by a group of three locals and an Eritrean immigrant, all unemployed, desperate and armed.

1936, in the aftermath of the Ethiopian occupation by Fascist Italy, under the incredulous gaze of the inhabitants of the small town in the Italian province Abraham Imirrù, an ethiopian prince and guerrila fighter is being held prisoner in the local Podesta garden's aviary. But for little Emilio, local recently force enlisted and reality-dissociated Balilla, he is Sandokan, the literal Salgari's character ...and he will be his hero.

Otello Morsiani, a north-eastern-italian lawyer, takes the job of estimating land holdings on the Po Delta, which are intended to be expropriated to make way for a national park. The lawyer soon discovers that in that area, once target of methane extraction, the soil is now at risk to sink, due to hydrogeological disturbance: in the meanwhile, he also digs out a mystery tied to a death dating back twenty years before.

Plagued by financial problems, ne'er-do-well Guido ends up in jail after faking an armed robbery at his workplace. A year later, just a few days before his release, he's forced by two dangerous inmates to take part in their jailbreak. On the run, Guido sets out to find his partner Antonella, who helped him with the robbery and still has the money.

Set in Milan, where people's lives are invisibly lead by money in its different shapes: too much, too little, stolen, earned, visible and even impalpable. The money flows from one story to the next, from one person to the other, becoming the engine of the film.Everything moves around two antagonist characters: Ugo and Rita. Ugo is a banker involved in a not really clean business. Rita, the Finance Police officer, is a strong and obstinate woman in charge of capturing Ugo. Other characters wander around them, with their weaknesses and fragility, their goodness, their evil and their contradictions. Characters meet, clash, love and hate each other, their lust for money becomes intense feelings.

Crossword-solving waitress Gloria falls for a womanizing TV repairman.

This tense thriller begins in the office of Claudia, a psychoanalyst whose sister was killed in a terrorist attack. Her newest client is Tancredi. He says that he is a journalist and that he suffers from having witnessed numerous atrocities in Bosnia. The events he describes sound just like those of Brescia, and Claudia, who still grieves for her sister, begins to wonder if Tancredi is telling the truth. Her investigation proves that he is lying, but it leads her to wonder why he has chosen her as his psychoanalyst. After talking to her husband, Claudia visits her old mentor who suggests she continue working with Tancredi but warns her not to call in the police. After that the story frequently jumps to 1998. By then Claudia and her newborn baby have become part of the witness protection program and she is preparing to testify against those involved in covering up government-sponsored terrorist activity.

This tense thriller begins in the office of Claudia, a psychoanalyst whose sister was killed in a terrorist attack. Her newest client is Tancredi. He says that he is a journalist and that he suffers from having witnessed numerous atrocities in Bosnia. The events he describes sound just like those of Brescia, and Claudia, who still grieves for her sister, begins to wonder if Tancredi is telling the truth. Her investigation proves that he is lying, but it leads her to wonder why he has chosen her as his psychoanalyst. After talking to her husband, Claudia visits her old mentor who suggests she continue working with Tancredi but warns her not to call in the police. After that the story frequently jumps to 1998. By then Claudia and her newborn baby have become part of the witness protection program and she is preparing to testify against those involved in covering up government-sponsored terrorist activity.

No-nonsense workaholic Marco runs the family business along with his older brother. When the latter suddenly disappears, Marco has to put aside his job and family to search for him together with Elena, his brother's girlfriend.

No synopsis available yet.

Two deadbeat friends see the opportunity of turning their fortune around after they come into possession of a precious stolen relic, the tongue of St. Anthony of Padua.

In 1939 Vicenza, a young petty thief befriends the local priest. Based on the novel by Goffredo Parise.

Giancarlo Giannini in his now usual role as the Prince of Soragna, a small town in the lower Po Valley, the starting and ending point of all the adventures in the series, is absorbed by the daily shaving ritual with his family barber, in this case played by the real Prince of Soragna, Diofebo Meli Lupi. A dear friend, the Italian tenor Vittorio Grigólo, arrives breathlessly and asks the Prince, who is half Neapolitan, for advice on the best rendering of the famous song "O Paese d'o Sole" with in the background the version by Roberto Murolo, the unmistakable voice and sophisticated performer of the tradition. The difficulty is obviously not technical for the great tenor but lies in looking for that expressivity and passion in interpretation that has made this musical form, deriving from great Italian melodrama, one of the best loved in the world.

This is a true story of Luisa Spagnoli who was an Italian businesswoman, famous for creating a women's fashion store and the chocolate brand, Perugia. The show is a romantic telling of her life. Considering that women were not involved in business, it is an amazing story of someone way ahead of her time.