Stella Theodoraki

A Greek filmmaker plans to shoot a film, following the footsteps of the Greek revolutionary Rigas Feraios. While visiting the cemetery, a small crowd of ghosts of the 18th century personalities decides to follow his path.

A woman is trying to forget her traumatic past by living a parallel, fictional life.

Everyone carries something, some burden that weighs him down. Some are crushed, others are freed, others just carry on. Eleven characters cross each others paths, unveiling their fears and desires, during the world weightlifting championship

A deep, unfulfilled love within an erotic triangle. A story of trust and betrayal. A story of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.

Greece, Russia, USA, Brazil, China, Senegal. Meeting young people in these countries we heard a ‘Rumble’ foretelling an impending explosion. The fall of communism, crisis of capitalism, ecological catastrophes, migration waves, globalization. The new generation is at the forefront, exposed, helpless without being able to envision a more optimistic future. This ‘Rumble’ comes from this young generation. Their words, images, sounds and music compose the notes of an audio-visual symphony entitled: ‘The Rumble of the World’.

The director creates a parallel of thirty years of her life (mid-1980s to 2012) and the evolution of her country, Greece. The loss of her lover, revived in archive photographs and 8 mm movies, is the background for her despair facing contemporaneous Greece, seen by her in the streets and viewed on television broadcasts from American and Russian channels.

A Greek filmmaker plans to shoot a film, following the footsteps of the Greek revolutionary Rigas Feraios. While visiting the cemetery, a small crowd of ghosts of the 18th century personalities decides to follow his path.

A woman is trying to forget her traumatic past by living a parallel, fictional life.

A woman is trying to forget her traumatic past by living a parallel, fictional life.

Everyone carries something, some burden that weighs him down. Some are crushed, others are freed, others just carry on. Eleven characters cross each others paths, unveiling their fears and desires, during the world weightlifting championship

A deep, unfulfilled love within an erotic triangle. A story of trust and betrayal. A story of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.

A deep, unfulfilled love within an erotic triangle. A story of trust and betrayal. A story of present-day Athens, of onlookers, of hesitation. Where holding back is normal, no matter how self-destructive.

Greece, Russia, USA, Brazil, China, Senegal. Meeting young people in these countries we heard a ‘Rumble’ foretelling an impending explosion. The fall of communism, crisis of capitalism, ecological catastrophes, migration waves, globalization. The new generation is at the forefront, exposed, helpless without being able to envision a more optimistic future. This ‘Rumble’ comes from this young generation. Their words, images, sounds and music compose the notes of an audio-visual symphony entitled: ‘The Rumble of the World’.

The director creates a parallel of thirty years of her life (mid-1980s to 2012) and the evolution of her country, Greece. The loss of her lover, revived in archive photographs and 8 mm movies, is the background for her despair facing contemporaneous Greece, seen by her in the streets and viewed on television broadcasts from American and Russian channels.

The director creates a parallel of thirty years of her life (mid-1980s to 2012) and the evolution of her country, Greece. The loss of her lover, revived in archive photographs and 8 mm movies, is the background for her despair facing contemporaneous Greece, seen by her in the streets and viewed on television broadcasts from American and Russian channels.

Iris, a teacher in her early forties who works at a Fine Arts School, assigns to her students an exercise on a Free Subject. It is a time when social behaviours and values are being called into question. The 20-year-old students are thrilled at the idea of being free to choose their own subjects. They create an “imagination factory” that has no limits. After finding Iris’s lost cell phone, provocative Yorgos, bases his Free Subject on his fictitious recreation of his teacher’s life. Free Subject deals with the limits of individual freedom in contemporary Western societies.