Steve Passeur

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

Panurge, a poor laundress, breathes in the smell of fish glue all day long but grows a meager flower in a tin can. He falls in love with the washerwoman, whose virtue is threatened by Fred's feline seduction. But Panurge and his gentle melancholy disarm fate.

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

A dozen elegant people are gathered in a writer's desirable mansion. In the grand tradition of Agatha Christie, they all have something to hide.They begin a cruel game of truth, a game where you're not supposed to tell lies. As the questions become more and more intimate and precise, the tempers rise, while outside the storm is raging. Enter a hateful person (played by Paul Meurisse, the nasty headmaster in "Les Diaboliques") who seems to know a lot about them. Someone is murdered. Whodunit?

Anne seeks revenge on Jacques who betrayed her trust. She decides to poison him and the people close to him.

The many difficulties of a couple to harmonize, between the need for independence of one and the brutality of the other...

Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.

Panurge, a poor laundress, breathes in the smell of fish glue all day long but grows a meager flower in a tin can. He falls in love with the washerwoman, whose virtue is threatened by Fred's feline seduction. But Panurge and his gentle melancholy disarm fate.

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

A dozen elegant people are gathered in a writer's desirable mansion. In the grand tradition of Agatha Christie, they all have something to hide.They begin a cruel game of truth, a game where you're not supposed to tell lies. As the questions become more and more intimate and precise, the tempers rise, while outside the storm is raging. Enter a hateful person (played by Paul Meurisse, the nasty headmaster in "Les Diaboliques") who seems to know a lot about them. Someone is murdered. Whodunit?

Anne seeks revenge on Jacques who betrayed her trust. She decides to poison him and the people close to him.

The many difficulties of a couple to harmonize, between the need for independence of one and the brutality of the other...

A child is rejected by his father and sister when his mother dies giving birth to him. The family is falling apart; the father takes to drinking, the child is placed with a nurse. However, the little girl will take the initiative to bring the child back to the family home which she decides to take care of, thus encouraging the father to change his behavior.

Vénus aveugle (Blind Venus) is a 1941 French film melodrama, directed by Abel Gance, and one of the first films to be undertaken in France during the German occupation. Although the film is not set in any specified period, Gance wanted it to be seen as relevant to the contemporary situation in France. He wrote, "...La Vénus aveugle is at the crossroads of reality and legend... The heroine ... gradually sinks deeper and deeper into despair. Only when she has reached the bottom of the abyss does she encounter the smile of Providence that life reserves for those who have faith in it, and she can then go serenely back up the slope towards happiness. If I have been able to show in this film that elevated feelings are the only force that can triumph over Fate, then my efforts will not have been in vain."