Tamar Mamulashvili

Nutsa, a young mother, lives with her two children in a suburbs of Tbilisi in Georgia. Her partner Goga is in prison. They get married, so she gains the right to talk to him once a month in the visiting room on the other side of the glass. The ceremony is quick with a strange ambiance. Goga in prison, Nutsa with children outside, a routine sets in.

During WWII, one of the villages in Guria is once revived by the noise of gypsies camped nearby.

A forty-year old who lived a comfortable life in the Soviet Union, ends up in Georgia in the difficult condition of having to adapt to change. She is granted a loan at a high interest rate and little by little becomes drowned in debt, trapped in a vicious circle that she can’t get out of.

Chachkhiani's film is centered around a generational relationship between Giorgi, a perpetrator of domestic abuse, and his mother. The latter finds herself in a position of having to make a decision of either covering for Giorgi after he abuses his wife, or siding with the survivor of the attack.

The film's protagonist, a young journalist, returns to the village where he spent his childhood years years later. The village is almost deserted, and the last inhabitants are thinking about leaving for the bar. Gogi begins a fight to preserve the once populous and prosperous village.

The main character of the film is a participant of The Abkhazian War, who, instead of protecting the integrity of Georgia, made profit from the war, then took refuge in Russia and returned to Tbilisi after three years...