Yoo Gap-yeol

In the gloomy 80s, Sang-ho is wanted by the authorities for his participation in the student movement. Parting with his colleagues, Sang-ho happens to end up in a town on the outskirts, a town he has no connection to. The place where he is in hiding is the second floor of a worn down wooden house. Spending his time idly in the room, one day, Sang-ho discovers a hole looking into the room downstairs by chance. Casually looking through the hole, Sang-ho exhales. At first, Sang-ho tries to avoid looking, out of guilt. However, before he knows it, he is drawn to the hole. Every gesture she makes is very captivating and seductive. He watches her body, feels her, and takes her into his heart.

After people in his town start turning up dead, a grumpy landlord is visited by a man who recounts an unsolved serial murder case from 30 years ago that may hold the clue to what is happening now.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Following the story of Ran, who confronts a mysterious organization by participating in a no-rules deathmatch after discovering her missing younger sister Yuzuki is involved in a crime. With danger at every corner, Ran must trade in her boxing gloves for brass knuckles. Will she save her sister?

The movie is about a dysfunctional family, each and every member with mental problems of his own. On top of that some old skeletons from the closet come back to haunt them.

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?

In the gloomy 80s, Sang-ho is wanted by the authorities for his participation in the student movement. Parting with his colleagues, Sang-ho happens to end up in a town on the outskirts, a town he has no connection to. The place where he is in hiding is the second floor of a worn down wooden house. Spending his time idly in the room, one day, Sang-ho discovers a hole looking into the room downstairs by chance. Casually looking through the hole, Sang-ho exhales. At first, Sang-ho tries to avoid looking, out of guilt. However, before he knows it, he is drawn to the hole. Every gesture she makes is very captivating and seductive. He watches her body, feels her, and takes her into his heart.

After people in his town start turning up dead, a grumpy landlord is visited by a man who recounts an unsolved serial murder case from 30 years ago that may hold the clue to what is happening now.

Tae-il lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. Then, for the first time in his life, he falls in love.

Following the story of Ran, who confronts a mysterious organization by participating in a no-rules deathmatch after discovering her missing younger sister Yuzuki is involved in a crime. With danger at every corner, Ran must trade in her boxing gloves for brass knuckles. Will she save her sister?

The movie is about a dysfunctional family, each and every member with mental problems of his own. On top of that some old skeletons from the closet come back to haunt them.

The film chases a historical event when King Jungjo tried to replace hispersonal revenge on those who killed his father Sado, the Crown Prince, with agreat cause to build up a nation for its people, which eventually leads to remind the lessons of history that repeat permanently like a Mobius strip. The film seems to aim to introduce the uniqueness of Uigwe with a historical yet futuristic value as a World Heritage on the surface, but in fact, it pursues torestore audio-visually the immaterial thing that remains only as a record under the name of feast. Inside the device receiving images, there might have been desires to reproduce the world or to secularize the invisible from the beginning. Hungry TV will awaken the potential to visualize all the intangible via digitaltechnology. So to speak, there is digital technology, and it is followed by aquestion: How far the digital technology of 21st century would lead this deviceto?