Rithy Panh

The story of a young couple, Pierre and Geraldine, and their desire for a child, which leads them on a journey of initiation to Cambodia. On their difficult and transformative adventure, they must contend with obstructive authorities and the jealousies and mistrust of a small community of would-be adoptive parents.

Democratic Kampuchea (Cambodia) - 1978. Three French journalists are invited by the Khmer Rouge to conduct an exclusive interview of the regime's leader, Pol Pot. The country seems ideal. But behind the Potemkin village, the Khmer Rouge regime is declining and the war with Vietnam threatens to invade the country. The regime is looking for culprits, secretly carrying out a large scale genocide. Under the eyes of the journalists, the beautiful picture cracks, revealing the horror. Their journey progressively turns into a nightmare.

Wandering Souls follows the mounting of a new stage production, Bangsokol: A Requiem for Cambodia, to honour the nearly 2 million Cambodians who died during the Khmer Rouge regime from 1975 to 1979. Commissioned by Cambodian Living Arts, the Requiem is a first-time collaboration between filmmaker Rithy Panh and composer Dr. Him Sophy. The film tracks the story of the Cambodian creators and musicians, as they work with an international team to bring the production to the world stage. Alongside the evolving stage production, the film tells the first-hand survival stories of the Cambodians involved in the Requiem, and their powerful will to reclaim an artistic heritage that disappeared during the four years of Pol Pot terror.

"Life in 24 Frames a Second" is a film about hardship, misfortune, perseverance and triumph. The personal stories of John Woo (The Killer), Anurag Kashyap (Sacred Games), Rithy Panh (The Missing Picture) and Lav Diaz (The Woman Who Left), who survived extreme poverty, disease, sexual abuse, genocide and civil war to go on to become maestros of world cinema. 'Survivors' united by their abiding love of the movies.

A 5-year-old girl embarks on a harrowing quest for survival amid the sudden rise and terrifying reign of the Khmer Rouge in Cambodia.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

In 1999 a fibre-glas wire was installed from Thailand to Vietnam straight trough Cambodia. Rithy Panh shows us the work done in Cambodia to connect Khmer-society to "modern world". Farmers, soldiers and children work for a living there and unearthen skulls and bones -their remains from PolPot-regime you can see. The fear in their mind is portrayed by Rithy Panh in this documentary. As the other work done by Rithy Panh this deals with his people. I like it very much! The movie was awarded 1999 at "Visions du Réel" in Nyon (Switzerland) and at "Cinéma du Réel" in Paris.

In 1999 a fibre-glas wire was installed from Thailand to Vietnam straight trough Cambodia. Rithy Panh shows us the work done in Cambodia to connect Khmer-society to "modern world". Farmers, soldiers and children work for a living there and unearthen skulls and bones -their remains from PolPot-regime you can see. The fear in their mind is portrayed by Rithy Panh in this documentary. As the other work done by Rithy Panh this deals with his people. I like it very much! The movie was awarded 1999 at "Visions du Réel" in Nyon (Switzerland) and at "Cinéma du Réel" in Paris.

Democratic Kampuchea (Cambodia) - 1978. Three French journalists are invited by the Khmer Rouge to conduct an exclusive interview of the regime's leader, Pol Pot. The country seems ideal. But behind the Potemkin village, the Khmer Rouge regime is declining and the war with Vietnam threatens to invade the country. The regime is looking for culprits, secretly carrying out a large scale genocide. Under the eyes of the journalists, the beautiful picture cracks, revealing the horror. Their journey progressively turns into a nightmare.

Democratic Kampuchea (Cambodia) - 1978. Three French journalists are invited by the Khmer Rouge to conduct an exclusive interview of the regime's leader, Pol Pot. The country seems ideal. But behind the Potemkin village, the Khmer Rouge regime is declining and the war with Vietnam threatens to invade the country. The regime is looking for culprits, secretly carrying out a large scale genocide. Under the eyes of the journalists, the beautiful picture cracks, revealing the horror. Their journey progressively turns into a nightmare.

The Indigenous Bunong practice agriculture by hand and end up in conflict with Cambodia's lucrative trade in CO2 certificates, losing the forest of whose ownership they have no conception. Now and then, split screen. A visual firework display.

The Indigenous Bunong practice agriculture by hand and end up in conflict with Cambodia's lucrative trade in CO2 certificates, losing the forest of whose ownership they have no conception. Now and then, split screen. A visual firework display.

The Indigenous Bunong practice agriculture by hand and end up in conflict with Cambodia's lucrative trade in CO2 certificates, losing the forest of whose ownership they have no conception. Now and then, split screen. A visual firework display.

Based upon documentation of forced confessions made during the Khmer Rouge era in Cambodia, this film reconstructs the relationship of a young woman, Hout Bophana, and Ly Sitha before they were tortured in executed in 1977.

Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.

Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia's Khmer Rouge committed between 1975 and 1979.

In Ratanakiri, a province in the northeast of Cambodia, Khlek, an 11-year-old boy, lives on the rubber plantation where his parents work. Coming from the Kreung ethnic minority, they are tappers.

Between 1975 and 1979, at least 250,000 Cambodian women were forced into marriages by the Khmer Rouge. Sochan was one of them. At the age of 16, she was forced to marry a soldier who raped her. After 30 years of silence, Sochan decided to bring her case to the international tribunal set up to try former Khmer Rouge leaders.

Joker, Kookie and Djumbo are “Khmericans”: Cambodian refugees who grew up in the United States and were deported back to Cambodia after serving a prison sentence.

The film centers on a young French widow and her two adolescent children as they attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930s. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo. Though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.

The film centers on a young French widow and her two adolescent children as they attempt to carve out a meager life for themselves by farming rice fields alongside the ocean in French Indo-China in the 1930s. Their efforts are hampered each year by the presence of the sea, which invariably floods the fields with saltwater and wipes out the crops. In desperation, the mother realizes that their only hope lies in the construction of a sea wall to prevent continued flooding, but the mother must cut a swath through the local bureaucracy in an almost Sisyphean attempt to make this happen. Meanwhile, her obstinate daughter, Suzanne, draws the romantic obsessions of a well-to-do Chinese gentleman, Monsieur Jo. Though he could easily provide a way out, the possibility of a romantic relationship between Jo and Suzanne could just as easily fall prey to local racial prejudices that would damage or ruin the lives of both.

After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.

After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Graves Without a Name searches for a path to peace. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? And above all, what is he looking for? Spectral trees? Villages defaced beyond recognition? Witnesses who are reluctant to speak? The ethereal touch of a brother or sister’s body as the night approaches? A cinematic movie that reaches well beyond the story of a country for that which is universal.

After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Thailand, in 1979. Ten years later, now a filmmaker, he returns to the camps to film the daily life of this threatened people. The peoples he meets, eaten away by inactivity, insecutity and the fear of being forgotten, have been waiting for a possible return to Cambodia.

After having fled Pol Pot, Rithy Panh, a 15 year old Cambodian finds refuge at the Mairut camp in Thailand, in 1979. Ten years later, now a filmmaker, he returns to the camps to film the daily life of this threatened people. The peoples he meets, eaten away by inactivity, insecutity and the fear of being forgotten, have been waiting for a possible return to Cambodia.

Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.

Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.

A film about people who have survived the irradiation of war and recommended to those who believe they are immune to it.