Philippe Adrien

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

No synopsis available yet.

An actress of political torture movies made by her husband has to finish his latest film and arrange a screening for distributors while the husband, who is also secretly an anarchist revolutionary, is away for some resistance operation.

"Cocktail Molotov" is the story of the adventures of this threesome, who reach Venice only to learn of the outbreak of the May 1968 disturbances at home. Once again, Anne, Frederic and Bruno realize that the important things of their time are happening somewhere where they are not. Swindled out of their car and virtually broke, they hitchhike back to Paris, hoping to arrive in time for some of the excitement.

In 1943, a group of high school students decide to take action against the Nazi occupying forces. Showing courage and imagination, they manage to blow up the Kommandantur and to release hostages. But after the killing of a German soldier the Nazi police apparatus strikes back. The young resisters are arrested and two of them are condemned to death.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

"Cocktail Molotov" is the story of the adventures of this threesome, who reach Venice only to learn of the outbreak of the May 1968 disturbances at home. Once again, Anne, Frederic and Bruno realize that the important things of their time are happening somewhere where they are not. Swindled out of their car and virtually broke, they hitchhike back to Paris, hoping to arrive in time for some of the excitement.