Lukas Trimonis

A man uses zombie's bodies for his art.

Two best friends who are passionate canteen chefs signed up for a high-class cooking reality show by faking their unimpressive resume. This contest will challenge their skills as well as their friendship, and the unexpected fame.

Oleg, a young Latvian butcher, arrives in Brussels in the hope of getting a better salary in a meat factory. His experience turns short after being betrayed by a colleague. Alone in a country where he doesn’t belong, he quickly falls under the yoke of Andrzej, a Polish criminal.

Close to bankruptcy, Irena, the owner of a struggling pig farm in a tiny post-Communist town, finds a surprising benefactor in a handsome American man who appears to be the answer to all her prayers.

A father, who unexpectedly gets custody of his teenage daughter, has a second chance to gain back her trust and rebuild their relationship.

Rimants is more interested in playing rugby, listening to music and dealing on the black market than studying for school, but when he falls in love with Monika, his faith in love and the future is tested.

A man uses zombie's bodies for his art.

“Man-Horse” is a film about an old farmer, Jonas, and his horse. It is an intimate story about the existential relationship between human and animal; it is about solitude and the daily effort to survive. The film's director and Jonas Šalomskas are neighbours in the village of Užuguostis. They have known each other for two decades.

The first part of the film – Island of Crete – was created in 2007, as an independent work. The second part – “Confession" – is like an other half of the Island of Crete, which reveals the reality of it as evidence of a rather cruel creative mechanism occasionally opens up even coercive elements. The author is trying to take a good look in the episodes that are often destroyed in the name of the film illusion creation.

Two women, a psychologist and a police officer, engage in a challenging mission - to reduce the record suicide numbers in their rural hometown in Lithuania. Valija and Gintare provide door to door empathy and compassion, healing the loneliest members of their community. As fear of losing another life reaches its peak, the women form a resourceful friendship and together they succeed to ease the crisis and prove that suicide prevention can be effective. The observational camera makes the audience witness and finally understand how they really succeeded in tackling this complex issue.