Shahu Modak

Sajjala, an orphan, is raised by Appakaka, her father's friend. When Appakaka is falsely charged with killing Jayantrao, Sajjala's betrothed, she vows to prove his innocence.

Meera, a devotee of Lord Krishna, believes she is married to the lord and rejects her marriage to a Rajput prince. However, her spirituality leads her to face many hardships.

Bhagwan Shri Bajrangbali has had super-natural powers at a very young age which includes swallowing the sun, lifting mountains, just to name a few. Bajrangbali has always regarded the skies and universe as his playground and could leap and fly around at will. Bajrangbali makes it his duty to serve Bhagwan Shri Ram all days in his life. He will make this comes to light when Ram's wife, Devi Maa Sita, has been kidnapped by Shivbakht Ravan, and is being held captive in far off Lanka.

The film blends classic tales from the Shiv Puran and the Ramayana. It begins with the celestial powers of Sati Anusuya, which lead the trinity of gods (Brahma, Vishnu, and Mahesh) to test her virtue, resulting in them temporarily turning into infants at her ashram. Later, the narrative transitions into key events from the Ramayana. Goddess Parvati (Uma) doubts whether Lord Rama is truly an incarnation of Lord Vishnu. She tests Rama by disguising herself as Sita, but Rama respectfully addresses her as Mother, proving his divinity. The second half follows the core events of the epic, including the battle with Ravana, Sita's agnipariksha (trial by fire), her exile, the birth of Lava and Kush, and her eventual return to Mother Earth.

A talented Tabla player is unable to handle his meteoric rise and squanders away his talent and happiness when he finds himself falling for a danseuse even as he beats himself up for ignoring his loving wife. A tragic drama that is also a showcase for Natya Sangeet, Hindustani Classical and folksy Laavani.

Arjuna abducts Subhadra, the half-sister of Krishna, on the instructions of Krishna when she is about to marry Duryodhana.

A business man must choose between keeping his promise to marry a poor village belle, or making it big by wedding his boss's daughter: a wealthy Westernized girl who bares a striking resemblance to his first love.

When Kali Dev challenges Dharma Dev that every human can be corrupted by wealth in the age of Kaliyug, an innocent mortal becomes the ultimate battlefield. Enter Seth Shriyal—a deeply pious and honest man loved by his entire town. Determined to win the divine wager, Kali Dev teams up with Shriyal’s jealous neighbor to orchestrate a public disgrace. Starring golden-age legends Nirupa Roy, Shahu Modak, and a stellar ensemble cast, this rare 1956 classic is a sweeping mythological tale of integrity, temptation, and the ultimate test of human righteousness.

1954 film by Vijay Bhatt

Queen Kaikeyi exiles Rama and demands Bharat be king. Bharat, devoted to Rama, refuses the throne and goes to the forest, urging Rama to return. Rama insists on upholding his father's vow. Bharat then rules Ayodhya as Rama's regent, placing Rama's sandals on the throne until his return.

It's the story of a boy who finds enlightenment by experiencing religious hipocrisy and dogmatism. Dnyaneshwar liberated the "divine knowledge" locked in the Sanskrit language to bring that knowledge into Prakrit (Marathi) and made it available to the common man.

A social drama directed by Kumarsen Samarth and starring Shobhana Samarth and Shahu Modak.

The epic starts with the mighty illusionist Ghatotkach, son of Bhim, accidentally clashing with and reviving his cousin Abhimanyu. As newfound allies, the two launch a daring abduction to rescue Surekha from a forced marriage by the Kauravas, triggering a monumental crisis that demands the direct intervention of Lord Krishna himself.

Chitrasen inadvertently humiliates Gabal Rishi, who approaches Bhagwan Shri Kishan and prays that the former be punished. Kishanji readily agrees to punish Chitrasen by beheading him with the Sudarshan Chakra. When no amount of pleas for mercy are adhered to, a compassionate Subhadra, moved by Chitrangini's plight, asks her spouse, Arjun, to intervene. The later, at first, refuses to take up arms against Kishanji, his friend, but subsequently relents - resulting in war - that will not only end their friendship - but may well also destroy the universe and annihilate Arjun, his brothers and their entire army.

A mythological or fantasy drama inspired by Kalidasa's classic Sanskrit poem, featuring a lonely lover sending a cloud as a messenger to his beloved, exploring themes of separation, longing, and nature's role in conveying emotions

A love tragedy featuring a policeman, Ganpat (Modak) and a prostitute, Mainal (Hublikar). Ganpat saves Maina from a police raid on a brothel and they fall in love. Her reputation and sense of guilt resist his attempts to rehabilitate her. Ganpat's respectable middle-class mother (Sundarabai) symbolizes all that Maina would like to be, but she is arrested for murdering her evil uncle and refuses Ganpat's offer to release her from prison.

Radical journalist Diwakar clashes with his traditional father and a scheming politician, Vithalrao, who seizes his newspaper. Disgusted, Diwakar leaves home. His wealthy girlfriend, Nalini, initially supports Vithalrao but later campaigns for Diwakar, who represents slum-dwellers in an election. Despite her father's support, Nalini urges voters for Diwakar. Nalini wins, but Diwakar's loss is depicted as a moral victory, critiquing middle-class materialism.

Children's mythological drawn from the Vishnu Purana telling of the child Krishna (Modak). The film intercuts Krishna's rural escapades with Pendya and other childhood friends with palace intrigues in Mathura, where Kans receives a divine warning that the boy Krishna shall be the cause of his death.

A love tragedy featuring a policeman, Moti (Modak) and a prostitute, Kesar (Hublikar).

A musical romance drama centered on a character known for their beautiful singing from the Punjab region