Guðbergur Davíðsson

When the Icelandic banks collapsed in the autum of 2008, taking most of the economy down with them, Ari Alexander took his camera and started to film what was happening in this tiny but relatively stable and affluent society. He filmed the ever-larger protests that in the end led to the downfall of the government. He took interviews with people shocked and confused by what was going on around them. He went to conferences and seminars where scholars tired to work out what had happened and what should happen next. He followed the endless debates and negotiations around the Icesave-accounts set up by Icelandic banks abroad. Every day brought fresh news of the complicated and often illegal deals made by financiers and bankers in the years leading up to the collapse.

Balance is a documentary about Bryndís Pétursdóttir, geopathic stress, electromagnetic waves and the effects on these invisible and untouchable phenomena on the well-being of people. Bryndís senses those waves and makes them harmless with the Balance cube she invented. We meet people she assists and hear explanations and counter-arguments from specialists who research those waves.

A beautiful filmed short documentary about the life cycle of the arctic fox. A treat for nature and animal lovers alike.

In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.

A documentary about the history of scrapie in Iceland.

This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.

When the Icelandic banks collapsed in the autum of 2008, taking most of the economy down with them, Ari Alexander took his camera and started to film what was happening in this tiny but relatively stable and affluent society. He filmed the ever-larger protests that in the end led to the downfall of the government. He took interviews with people shocked and confused by what was going on around them. He went to conferences and seminars where scholars tired to work out what had happened and what should happen next. He followed the endless debates and negotiations around the Icesave-accounts set up by Icelandic banks abroad. Every day brought fresh news of the complicated and often illegal deals made by financiers and bankers in the years leading up to the collapse.

Balance is a documentary about Bryndís Pétursdóttir, geopathic stress, electromagnetic waves and the effects on these invisible and untouchable phenomena on the well-being of people. Bryndís senses those waves and makes them harmless with the Balance cube she invented. We meet people she assists and hear explanations and counter-arguments from specialists who research those waves.

Balance is a documentary about Bryndís Pétursdóttir, geopathic stress, electromagnetic waves and the effects on these invisible and untouchable phenomena on the well-being of people. Bryndís senses those waves and makes them harmless with the Balance cube she invented. We meet people she assists and hear explanations and counter-arguments from specialists who research those waves.

A beautiful filmed short documentary about the life cycle of the arctic fox. A treat for nature and animal lovers alike.

A beautiful filmed short documentary about the life cycle of the arctic fox. A treat for nature and animal lovers alike.

In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.

In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.

In the aftermath of the Second World War, relations between the former allied eastern and western powers deteriorated fast. Suddenly, the small island nation found itself in the midst of the ensuing “cold-war”, which it used to its full benefit to catapult into the modern world. A founding member of the NATO alliance, Iceland provided an important base for forward operations in protection of NATO’s northern flank and Scandinavia and the approaches to North America by U.S. and allied forces.

A documentary about the history of scrapie in Iceland.

This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.

This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.

This is a documentary about a teacher from Reykjavik in search of her roots and interested in the preservation of old tales and history. Our story opens in the remote Mýrar cemetery in the West Fjords. The narrator is standing by her forefathers´ grave, which is overgrown and neglected and she senses her dead ancestors call out and implore her to do something. Beautiful irons cross lies on the grave of a young boy who died in the middle of the nineteenth century. Her curiosity aroused, the narrator discovers the story behind the iron cross memorial by talking to the archaeologist, Gunnar Bollason. She then goes on to discover similar iron crosses in cemeteries elsewhere in the southwest of the country. We visit the town of Þingeyri and watch as the broken iron cross from the family grave is repaired by the skilled craftsmanship of Kristján Gunnarsson at his engineering workshop, a workplace with an unbroken tradition going all the way back to 1913.

The summer of 2004 two engineer from Seyðisfjörður found a three-blade broach and an oval broach high up in the mountains of East Fjords in Iceland. Archaeologists arrived on the scene under the direction of Sigurd Bergsteinsson. They discover remains of a Viking woman, some jewelry and over 500 pearls. Who was this woman? What was she doing in the mountains, all by herself? The finding was unique, never before have so many artifacts from a Viking woman been found in an open country. The film is produced in collaboration with the National Museum of Iceland and The Archaeological Heritage Agency of Iceland.

The summer of 2004 two engineer from Seyðisfjörður found a three-blade broach and an oval broach high up in the mountains of East Fjords in Iceland. Archaeologists arrived on the scene under the direction of Sigurd Bergsteinsson. They discover remains of a Viking woman, some jewelry and over 500 pearls. Who was this woman? What was she doing in the mountains, all by herself? The finding was unique, never before have so many artifacts from a Viking woman been found in an open country. The film is produced in collaboration with the National Museum of Iceland and The Archaeological Heritage Agency of Iceland.

The summer of 2004 two engineer from Seyðisfjörður found a three-blade broach and an oval broach high up in the mountains of East Fjords in Iceland. Archaeologists arrived on the scene under the direction of Sigurd Bergsteinsson. They discover remains of a Viking woman, some jewelry and over 500 pearls. Who was this woman? What was she doing in the mountains, all by herself? The finding was unique, never before have so many artifacts from a Viking woman been found in an open country. The film is produced in collaboration with the National Museum of Iceland and The Archaeological Heritage Agency of Iceland.

No synopsis available yet.

Gudmundur Felix lost both arms in a horrible work accident in 1998, when he climbed a high voltage mast for repair work. His biggest wish is to hug his daughters and Felix is set on getting an arms transplant. He swims against the current for 20 years to make this happen. The waiting is endless and the health care system is not in favor of revolutionary methods needed for a transplant of this magnitude. In the end a miracle is within arms reach, thanks to cutting edge progress in modern medicine.

In this documentary we get to know the Icelandic writer Einar Már Guðmundsson who won the Nordic price for literature in 1995. Einar Már Guðmundsson is one of the best known writers in Iceland and his works have been translated into english and the other Nordic languages. Besides his books of prose and poetry he has also written film manuscripts and in the documentary we see, among interviews with the writer himself and commentators on him and his work, clips from the films.

Ólafsson was a poor country boy from Iceland, born in 1895, who at 18 years of age received the call that changed his life. Suddenly he was obsessed with the idea of becoming a missionary in China. In spite of all the obstacles in his way he made it first to Norway, where he got into a missionary school, and then to the land of his dreams, China, through America, Canada and Japan. In China he met his Norwegian wife, who was aslo a missionary, and four of their children were born there. Ólafsson fled with his family to Hong Kong and then to Europe after the city of Shanghai had surrendered to the Japanese in 1937. The documentary is mostly made of old films by Ólafsson himself and some old film stock.

Ólafsson was a poor country boy from Iceland, born in 1895, who at 18 years of age received the call that changed his life. Suddenly he was obsessed with the idea of becoming a missionary in China. In spite of all the obstacles in his way he made it first to Norway, where he got into a missionary school, and then to the land of his dreams, China, through America, Canada and Japan. In China he met his Norwegian wife, who was aslo a missionary, and four of their children were born there. Ólafsson fled with his family to Hong Kong and then to Europe after the city of Shanghai had surrendered to the Japanese in 1937. The documentary is mostly made of old films by Ólafsson himself and some old film stock.

No synopsis available yet.

No synopsis available yet.