Marie-Claire Blais

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Louise, a widow, lives with her son Patrice and her daughter Isabelle-Marie in a house in the country. All her affection is directed towards her son, who is socially dysfunctional but very handsome. In contrast, Louise neglects her daughter, whom she considers ugly. However, their small, obsessed universe is soon interrupted by a blind boy and an elegant fop from the outside world.

The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.

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The lack of material evidence left behind by Expo 67 is staggering. So remarkable, in fact, that we felt impelled to explore the site of the world’s fair in detail, searching for clues that throw light on its past – a kind of material archaeology à la Walter Benjamin, who sought in materiality the remnants and rejects, the traces of an ancient history that might reverberate down to the present.

Short film by Marie-Claire Blais.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

Louise, a widow, lives with her son Patrice and her daughter Isabelle-Marie in a house in the country. All her affection is directed towards her son, who is socially dysfunctional but very handsome. In contrast, Louise neglects her daughter, whom she considers ugly. However, their small, obsessed universe is soon interrupted by a blind boy and an elegant fop from the outside world.

The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.

The lack of material evidence left behind by Expo 67 is staggering. So remarkable, in fact, that we felt impelled to explore the site of the world’s fair in detail, searching for clues that throw light on its past – a kind of material archaeology à la Walter Benjamin, who sought in materiality the remnants and rejects, the traces of an ancient history that might reverberate down to the present.

Short film by Marie-Claire Blais.