Tutie Kirana

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Wisnu has to witness the brutal slaughter of his family and soon thereafter an evil spirit starts haunting him.

Somad and Biang Terona are sent by their master at Krakatau martial arts school to look for the rebellious student, Bodin, who is Somad’s real father. Bodin manages to marry the wife of a landlord and takes over the wealth but he becomes a dictator. His son, Tirta, also manages to displace Surya as inheritor of Bodin’s wealth. Surya is the son of Tirta’s mother with her previous husband. Finally, Biang Terona defeats Bodin, and Somad reveals that Bodin is his father. The film ends with the eruption of the Krakatau Volcano.

Agnes appears to be out of control. Her father is seldom at home while her stepmother is afraid of her. At school, she dares to confront teachers whom she considers as no good. A young teacher, Wing Ganda, tries to understand her and shows her how to use her talent. His effort is fruitful but Agnes falls in love with him. Wing tries to avoid her. When another young man attempts to approach Agnes, she makes a fool out of him. Agnes has to deal with the fact that she cannot conquer everything. Wing is unconquerable and her stepmother secretly cares about her very much. This was one of the more insightful teenage films that understood teenage psychology and was also optmistic in a realistic way.

After accidently killing her temperamental father in order to save her mom from his abuse, Viki flees from Medan to Jakarta with her autistic brother, Ara. To make ends meet in Jakarta, Viki poses as a transvestite and works as a striptease dancer. With no one to watch over her brother, Viki brings Ara every night to the club where she works and hide him in one corner of the room at the club. One day, Ara accidently witnesses an act of murder by Haryo, son of an official, and his friends. Realizing his crime action witness by Ara, Haryo and his friends chase Viki and Ara, determined to silene the two before they go to the police. For the sake of saving his brother’s life, Viki secretly flee from one place to another in order to escape Haryo and friends. Will Viki and Ara escape?

Two high school students, Satria and Rani, have tasted the forbidden fruit of sex. But Rani’s father, a rich man, who is authoritarian and very proud; is against Satria, who is merely the son of a poor widow. He regretfully has to give permission for his only daughter, Rani, to marry Satria who has impregnated her. He allows this without any celebration and on condition that they will not be sharing a house, and that they will divorce after the baby is born. Everything changes when Rani gives birth to a pair of twins. Rani and Satria can be reunited.

Lailani was called to build a school and teach in a remote village in Larantuka, East Nusa Tenggara, the area where her husband, Banyu, was assigned.

As a cosmetics company employee deals with insecurities about her body image, she considers a transformation for a chance at a promotion.

After Tini catches her boyfriend Narno trying to seduce her sister Tina and ends their relationship, she mysteriously dies from a snakebite. Narno's mother then visits a shaman to place a curse on one of Tina's potential suitors. As all of that is going on, a mysterious murderer is lurking around bumping off other members of both Tina and Narno's families.

Indonesian activist Soe Hok Gie experiences a political awakening during the tumultuous regimes of Soeharto and Soekarno.

Betina (Kinaryosih) is a milking girl at the milk base owned by Mamang Otig (Otig Pakis). Betina is a beautiful-looking girl and nice-bodied, no wonder the men in her village (the Village of Nowhere) admire her and even try to do things that are inappropriate for her. The female lives with her mother (Tutie Kirana), who has become rather crazy after her father (Zairin Zain) is taken away from her house.

Tells the story of Tijah, the child of a contract laborer during the Dutch colonial era in Deli. Her beauty attracted the attention of Bustaman and Mr. Pieter Dikkert. When Bustaman was about to propose, it turned out that she had been used as a servant and concubine in Pieter Dikkert's house until she became pregnant. However, Bustaman still wants Tijah. He was caught trying to meet TIjah until Tijah was thrown out and separated by her son. A year later, when she had recovered, it was Bustaman who reunited Tijah with her teenage son.

The story of a woman named Likas who gets special accomplishments and successes, as she holds fast to pledge to the three most important people in her life: her father Ngantari, her brother Njohre, and her husband Djamin. In Karo, North Sumatra, there is a custom: when a woman has to work, then the disgrace belongs to the family. However, Likas still wants to move forward. Therefore she opposes the custom. She attends school because she wants to be a teacher. She looses her mother because of stress. With the help of her brother, she could become a teacher.

Yusuf and his cousin Ambar spend a wild night out just before heading out of town for a relative’s wedding. When the pair passes out overnight and Ambar misses her flight, the two head off on a three-day road trip. Little do they realize those three days will have a lasting impact on their lives.

A teenager named Jani holds resentment towards her mother, whom she holds accountable for her older sister's departure from home. Winnie, the single parent, is preoccupied with shouldering the family responsibilities, leaving little room to comprehend her two children. Both Winnie and Nainai (Jani's grandmother who lives with them) continue to anticipate Julia's return, while Jani maintains clandestine communication with her.

In this heartfelt drama, a mother discovers that a son she thought died at birth is still alive.

Ria, the only daughter of the Hilman family and a student majoring in electronics, falls from an escalator. Pance, a trainee doctor who helps her, detects abnormalities in her. After a thorough health examination, it is learnt that she is suffering from a malignant blood cancer. Ria insists that her parents not be notified. She wants to give a child as a substitute to her parents. Pance is willing to do it. However, this event leads her parents to find out her real condition. Ria’s grandfather encourages the marriage. Ria faces her death with fortitude. Her son is born safely, while she herself cannot survive.

A conversation that starts with music and email, then ends with possibilities that change the relationship between two people from a 'mother-daughter' relationship into a 'female-male' relationship.

Melati, who came from the village looking for work, accidentally met Rio. Then she worked at Rio's uncle's restaurant as a waitress. Conflict arose when it was discovered that Rio's father and Melati's mother were once in a marital relationship.

During a haunting visit with her family, a grieving wife tries to uncover the disturbing reasons behind her mother-in-law's deteriorating condition.

A devoted nun who cares for her elder sisters must choose between upholding her vows or pursuing her forbidden feelings for a fascinating pastor.

Six-year-old Lala has a masculine nature, as her father, Anton Wijaya, who wanted a boy. Mrs. Anton is extremely worried about her youngest child’s attitude and requests the help of child psychologist, Kak Seto. Lala’s unruly behavior often complicates everything. She even manages to put the relationship between Kak Seto and his girlfriend in jeopardy. Dina, Lala’s sister, admires Kak Seto who can be gentle with children. And when Dina is disappointed with Kak Seto, this triggers Anton Wijaya’s anger. He thinks that Kak Seto wants to ruin his family. Then Bujel, with his devil-may-care unconventional attitude, arrives to bring their problem into focus. This is the point when Lala’s problem can be solved. The film presents a nicely handled child psychology problem while criticising the psychologists at the same time.

After a betrayal at work, a finance professional becomes an assistant to a bride shaman in order to salvage her only remaining property — and love life.

Deni who is engaged to the perfect woman, has insecurities due to his lack of sexual experience and minimum size of his vital tools. His friends hire someone to help him overcome his lack of experience.

Satrio Hidayat really loves Citra, but as he has not stabilized yet, Citra marries Triawan Negara. Hence the two men become rivals and they declare their mutual enmity by trying to bring each other down in public. Their feud is passed on to their children.

A compilation of nine short films and collected scenes created by young, up-and-coming Indonesian directors. Set during a single hot Jakarta night. Each short features an interaction between two characters and focuses on the strange situations one might get into while prowling the city after dark.