Directing

Kumar Shahani

Born 1940-12-07

Kumar Shahani (7 December 1940 – 24 February 2024) was an Indian film director and screenwriter.

Acting credits

Behind the camera

The Khayal Saga poster
6.6

A music student listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors who play several key figures throughout the history of classical music.

The Khayal Saga

1989

The Khayal Saga poster
6.6

A music student listens to stories and legends about the birth and evolution of the Khayal form of classical Indian singing. These stories are re-enacted by actors who play several key figures throughout the history of classical music.

The Khayal Saga

1989

Maya Darpan poster
7.0

Taran lives with her father in a small town on the cusp of industrialization. Taran has a strained relationship with her father, who is increasingly bitter as he is unable to find a suitable match for his daughter. The young woman finds solace in her interactions with an engineer.

Maya Darpan

1972

Maya Darpan poster
7.0

Taran lives with her father in a small town on the cusp of industrialization. Taran has a strained relationship with her father, who is increasingly bitter as he is unable to find a suitable match for his daughter. The young woman finds solace in her interactions with an engineer.

Maya Darpan

1972

The Glass Pane poster
NR

In modern society, communication between individuals is becoming more and more difficult. Two persons may be in the same physical environment, yet it seems that a Glass Pane - invisible but strong, and very much there separates these individuals. Almost Antonioniesque in its composition, this short film is a study of a married couple who are unable to communicate with each other.

The Glass Pane

1966

The Glass Pane poster
NR

In modern society, communication between individuals is becoming more and more difficult. Two persons may be in the same physical environment, yet it seems that a Glass Pane - invisible but strong, and very much there separates these individuals. Almost Antonioniesque in its composition, this short film is a study of a married couple who are unable to communicate with each other.

The Glass Pane

1966

Tarang poster
6.3

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Tarang

1984

Tarang poster
6.3

Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.

Tarang

1984

Immanence poster
9.0

An experiment and a homage, Bhavantarana is a spiritually intoxicating documentary about classical Odissi dance maestro Guru Kelucharan Mohapatra.

Immanence

1991

Immanence poster
9.0

An experiment and a homage, Bhavantarana is a spiritually intoxicating documentary about classical Odissi dance maestro Guru Kelucharan Mohapatra.

Immanence

1991

Char Adhyay poster
5.7

Set in the Bengali Renaissance of the 1930s and 1940s. A group of young intellectuals get embroiled in the struggle for Indian independence, sometimes at the expense of their personal lives.

Char Adhyay

1997

Char Adhyay poster
5.7

Set in the Bengali Renaissance of the 1930s and 1940s. A group of young intellectuals get embroiled in the struggle for Indian independence, sometimes at the expense of their personal lives.

Char Adhyay

1997

No artwork available
5.0

Tackling the theme of identity from the perspective of Asian and Afro-Caribbean actors, the film emerged from an acting workshop exploring the relationship between acting idioms in theatre and cinema led by Kumar Shahani and Alaknanda Samarth.

A Ship Aground

1988

No artwork available
5.0

Tackling the theme of identity from the perspective of Asian and Afro-Caribbean actors, the film emerged from an acting workshop exploring the relationship between acting idioms in theatre and cinema led by Kumar Shahani and Alaknanda Samarth.

A Ship Aground

1988

Kasba poster
6.0

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Kasba

1991

Kasba poster
6.0

The story centers around a small town entrepreneur named Maniram who makes a major profit by cheating people and selling them tainted food. His business is run by his daughter-in-law Tejo, who is married to Maniram's mentally challenged younger son. When Maniram's elder son comes back into town to get married, things start to go awry.

Kasba

1991

Bamboo Flute poster
NR

Bamboo Flute is Kumar Shahani’s cinematic tribute to the flute and its importance to Indian civilisation.

Bamboo Flute

2000

No artwork available
NR

Short film shot on 16mm Kodachrome film, made in collaboration with psychoanalyst Udayan Patel.

Object

1971

No artwork available
NR

Short film shot on 16mm Kodachrome film, made in collaboration with psychoanalyst Udayan Patel.

Object

1971

No artwork available
NR

Feature documentary, completed but unreleased.

Priye Charushile

2009

No artwork available
NR

Feature documentary, completed but unreleased.

Priye Charushile

2009

No artwork available
NR

Educational documentary filmed in b/w on 16mm.

Our Universe

1976

No artwork available
NR

Educational documentary filmed in b/w on 16mm.

Our Universe

1976

37 Down Manmad Passenger poster
NR

Sudhir - staying in a city without family roots - symbolizes the need for commitment in all young, sensitive and thinking individuals all over the world. The family is a fast-disintegrating social institution and Sudhir's Saturday night represents a true 'dolce vita' - without Fellini's irony, but sickly and sweet. The ridiculously elementary encounter with a mother prostitute as well as his final grandiose speech to the little runaway boy lose their power — and induce a facile fulfillment.

37 Down Manmad Passenger

1967