Ugo Gregoretti

No synopsis available yet.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

Four short films by four different directors dealing with the principles of modern life. "Illibatezza" (Rossellini): The hostess Anna Maria, to dissuade an aggressive suitor who prefers maternal tendencies, assumes an unscrupulous attitude, obeying the suggestions of her distant boyfriend. "The New World" (Godard): The deflagration of an atomic bomb causes strange effects on the inhabitants of a city. "La ricotta" (Pasolini): During the filming of a film about a religious subject, the extra Stracci dies hanging on the cross due to an indigestion of ricotta. "Il pollo spante" (Gregoretti): While an expert illustrates to a board of merchants the most modern techniques to increase sales through the discovery of the secret self of the average consumer, the human story of a bourgeois who, following these suggestions, focuses on the purchase of a plot of land in the countryside.

Professor Serafino Benvenuti is a master of classical music who has the passion of the orchestra director. However, the young audience of the 60 does not appreciate classical composers like Mozart or Beethoven, and so Serafino is likely to have compromised his image as a director. One day Serafino receives the news that his adopted daughter Rita is about to return to Italy from America, where she is studying. Serafino is very happy, because at least he can teach her the real music. However, Rita is deeply grown and changed: she follows the musical patterns of her time: the rock music and blues. Serafino gets very angry, especially when he discovers that his daughter falls in love with a young man, a member of a band called "The Rockets.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

No synopsis available yet.

No synopsis available yet.

Based on 1925 Bulgakov's The Fatal Eggs, a zoologist finds a way to accelerate embryo growth in chicken eggs to help feed the population after the war. An unfortunate logistical accident makes the country swarmed with dangerous reptiles.

Four short films by four different directors dealing with the principles of modern life. "Illibatezza" (Rossellini): The hostess Anna Maria, to dissuade an aggressive suitor who prefers maternal tendencies, assumes an unscrupulous attitude, obeying the suggestions of her distant boyfriend. "The New World" (Godard): The deflagration of an atomic bomb causes strange effects on the inhabitants of a city. "La ricotta" (Pasolini): During the filming of a film about a religious subject, the extra Stracci dies hanging on the cross due to an indigestion of ricotta. "Il pollo spante" (Gregoretti): While an expert illustrates to a board of merchants the most modern techniques to increase sales through the discovery of the secret self of the average consumer, the human story of a bourgeois who, following these suggestions, focuses on the purchase of a plot of land in the countryside.

Four short films by four different directors dealing with the principles of modern life. "Illibatezza" (Rossellini): The hostess Anna Maria, to dissuade an aggressive suitor who prefers maternal tendencies, assumes an unscrupulous attitude, obeying the suggestions of her distant boyfriend. "The New World" (Godard): The deflagration of an atomic bomb causes strange effects on the inhabitants of a city. "La ricotta" (Pasolini): During the filming of a film about a religious subject, the extra Stracci dies hanging on the cross due to an indigestion of ricotta. "Il pollo spante" (Gregoretti): While an expert illustrates to a board of merchants the most modern techniques to increase sales through the discovery of the secret self of the average consumer, the human story of a bourgeois who, following these suggestions, focuses on the purchase of a plot of land in the countryside.

Professor Serafino Benvenuti is a master of classical music who has the passion of the orchestra director. However, the young audience of the 60 does not appreciate classical composers like Mozart or Beethoven, and so Serafino is likely to have compromised his image as a director. One day Serafino receives the news that his adopted daughter Rita is about to return to Italy from America, where she is studying. Serafino is very happy, because at least he can teach her the real music. However, Rita is deeply grown and changed: she follows the musical patterns of her time: the rock music and blues. Serafino gets very angry, especially when he discovers that his daughter falls in love with a young man, a member of a band called "The Rockets.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

Five swindle stories, taking place in five international cities: Tokyo, Japan ("Fumiko's Five Benefactors" by Hiromichi Horikawa); Amsterdam, The Netherlands ("A River of Diamonds" by Roman Polanski); Naples, Italy ("The Road Map" by Ugo Gregoretti); Paris, France ("The Man Who Sold the Eiffel Tower" by Claude Chabrol); and Marrakesh, Morocco ("The Confidence Man" by Jean-Luc Godard). Godard's segment was not included in the original French cinema release, and Polanski's segment was not included on the 2016 home disc release.

No synopsis available yet.

No synopsis available yet.

An alien takes over the body of a factory worker in order to learn about Earth so his race can take it over.

An alien takes over the body of a factory worker in order to learn about Earth so his race can take it over.

100 years ago, a terrible earthquake, followed by an equally terrible tidal wave, devastated and largely destroyed Messina and Reggio Calabria.

The film's theme is four episodes that offer the public a glimpse into the lives of rich and poor families in Italy in the 1960s.

The film's theme is four episodes that offer the public a glimpse into the lives of rich and poor families in Italy in the 1960s.

No synopsis available yet.

The film documents the trade union battle of the workers of the Apollon printing house in Rome, occupied for a few months after the management decided to fire all the personnel and sell the land on which the factory was standing. In the form of a docu-fiction, the events of the long occupation are reconstructed, which began on June 4, 1967 and ended in December 1968. The workers play themselves and various other roles, but they are also co-authors of the film, which is not a simple chronicle of events, but an analytical reading of the reality of the factory, the story of the conquest of instruments of struggle and democracy, with the indication of strategies of attack on the bosses' power. The narrative voice of Gian Maria Volonté gives continuity to the story and comments on the events.

This documentary looks at strange behaviors and practices in Europe, including nude skiing in Switzerland, hot-butchering in Italy, and an orgy in a graveyard.

Gregoretti's last film, in which the great filmmaker, documentary maker and journalist retraces his activity with irony and light-heartedness. Through episodes of his personal and professional life, and images of his films and television programs, a humorous story of how we were to understand that now, in reality, we are not so different.

Gregoretti's last film, in which the great filmmaker, documentary maker and journalist retraces his activity with irony and light-heartedness. Through episodes of his personal and professional life, and images of his films and television programs, a humorous story of how we were to understand that now, in reality, we are not so different.

Gregoretti's Il pollo ruspante ("Free Range Chicken") shows an Italian middle-class family with two children traveling via an autostrada (highway) to the site of a real-estate project where they could be interested in buying a detached house.

No synopsis available yet.

Centers on a band of hookers who listen to their pimp and seek out old men in retirement villages. They convince the old fellows to marry them so they will not be forced to leave the city. Unfortunately for the pimp, the delighted geezers will not allow their brides to work.

Centers on a band of hookers who listen to their pimp and seek out old men in retirement villages. They convince the old fellows to marry them so they will not be forced to leave the city. Unfortunately for the pimp, the delighted geezers will not allow their brides to work.

Factory workers struggles over contracts in post-68 Italy documented through original footage.

Opera by Nino Rota

Falling somewhere in-between a documentary and a droll drama (more like an enactment of reality, with a wink), this film by TV director Ugo Gregoretti looks in on a variety of social and ethnic situations throughout Italy. Sexual morés are contrasted, from the quaintly out-of-date courtship in Sicily to the sometimes uncomfortably explicit sexual references in the conversations of the youth at the opposite end of the country. Aside from these manners and morals, there is an examination of what happens when mechanized tools of production begin to take away from the human element at factories and in other industrial venues.

Falling somewhere in-between a documentary and a droll drama (more like an enactment of reality, with a wink), this film by TV director Ugo Gregoretti looks in on a variety of social and ethnic situations throughout Italy. Sexual morés are contrasted, from the quaintly out-of-date courtship in Sicily to the sometimes uncomfortably explicit sexual references in the conversations of the youth at the opposite end of the country. Aside from these manners and morals, there is an examination of what happens when mechanized tools of production begin to take away from the human element at factories and in other industrial venues.

An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship with the young critics of the Cahiers du Cinéma who would become the authors of the French New Wave, but also talks about his participation in the May '68 events in Paris. Passing from one theme to another emerges the thought of one of the key figures of the last century and not only in the cinematographic field, a lucid and passionate vision, typical of Rossellini, which combines science, conscience and knowledge and an obstinate faith in the capacities of Man.