Niki de Saint Phalle

The late French American artist Niki de Saint Phalle is remembered today for her Nanas, a highly spirited force of colorful female sculptures. These figures, as with all of Niki’s works, possess an unbridled creativity that hums with the very energy of life. Through unpublished stills and recent footage shot in Europe, America, and Japan, this documentary recalls the life and legacy of the multidisciplinary artist, whose portraits and artworks japanese director Michiko Matsumoto photographed from 1981. It introduces in intimate detail such masterworks as the Tarot Garden in Tuscany, Italy, a vast collection of large-scale works more than 20 years in the making.

To mark the 30th anniversary of L'Étrange Festival, Gaumont is opening up its archives to offer the best of its most secret, bizarre and crazy images, digitized for the first time. A unique program featuring black magic, surrealistic happenings, world records, the evolution of feminism, wild bets, vanished places, forgotten inventions and other delights.

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One hundred years ago, Dadaism challenged ideological, aesthetic and political conventions. Like David Bowie or Terry Gilliam, many artists have been influenced or fascinated by this anti-conformist movement.

Based on the book of the same title written and illustrated by his mother, French-American artist Niki de Saint Phalle.

In the sixties the painter and sculptor Niki de Saint Phalle started her career with shooting paintings, reliefs that were fired at with paint bags. She became famous and popular for her Nanas, colorful sculptures of big and cheerful women, and for the cooperation with Jean Tinguely. The frame of this film is a tour through her tarot garden in Tuscany.

François de Menil and Monique Alexandre's short portrait of artist Niki de Saint Phalle, shot in 16mm, 1982.

A woman attempts to exorcise the influence of her sexually domineering father.

In this heady, phantasmagoric fairy tale, a young girl comes face to face with a friendly dragon and a magnanimous witch. Upon the witch granting the girl’s wish to become a young woman, this surrealist chronicle follows the precocious Camélia on a series of quests in pursuit of love.

Filmed in the 1970s with the art critic Otto Hahn, this film is the only visual document which brings together the thirteen Nouveaux Réalistes who participated in the artistic movement created by critic Pierre Restany in 1960 and including the text of the declaration collective was signed by Yves Klein in nine copies. Each of the artists appropriates a piece of land from the civilization of waste: from Arman the accumulations, from César the compressions of scrap metal, from Jean Tinguely the rusty machines, from Raymond Hains the torn posters.

Filmic portrait of Niki de Saint Phalle's HON, a temporary indoor sculpture installation for the Moderna Museet of Stockholm.

The artist and sculptor Niki de Saint Phalle is filmed against the sparkly background of the Factory. She looks elegant, solemn, and slightly sad. Her large-eyed gaze seems to avoid direct engagement with the camera; towards the end of the roll, she strokes her chin pensively.

The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.