Serge Bard

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

directed by Jackie Reynal, from 2003 Autour de Jacques Baratier, directed in 2002 by Jackie Raynal, is a 24-minute documentary portrait that offers a sensitive look at the man and the filmmaker. It stands as a valuable complement to other films about him, helping us understand Baratier’s playful, poetic, and rebellious approach to cinema.

Maddening and mysterious,with the elements—ocean, wind, rocky terrain—dominating the scenes.

30 years after their artistic revolution, members of the Zanzibar group meet in 1999 in Saint-Sulpice Square in Paris (France) in front of Gérard Courant's camera.

Portrait of French artist Serge Bard (Abdullah Siradj), shot in Paris (France) on January 8, 2002 at 5:50 PM.

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarized image reminiscent of thick strokes of a paintbrush.” - Philippe Azoury

Maddening and mysterious,with the elements—ocean, wind, rocky terrain—dominating the scenes.

Detruisez-vous is a ‘primitive’ film which breaks all the rules of film-making. It’s the first Zanzibar film (and predates the very naming of the movement), an attempt to make a film which defies the rules of production, the production line of commerce