Directing
Vincent Nordon
Acting credits
5.0A film about an ongoing cinematic adventure that began in 1978: a vast anthology of personality portraits called Cinématons, dealing with people in the arts. Historical, ethnological, sociological and psychological, this anthology is a living record of the artistic community of the last 20th century which attempts to answer these questions: Why film everyone? Why choose cultural personalities? How do the subjects look at their image? How much exhibitionism and narcissism is involved in being filmed?
2000 Cinématons
2001
NRNo synopsis available yet.
Vincent Nordon raconte Straub, Huillet, Pialat et Cinématon
2012
Reel 24 of Gérard Courant’s on-going Cinematon series.
Cinématon XXIV
1982
NRCity of his childhood, Dijon and his friends are the heart of this Carnet Filmé.
Veni, Vidi, Vici
2011
NRNo synopsis available yet.
Vincent Nordon, Marguerite Duras, Kenji Mizoguchi et le Japon
2012
NRNo synopsis available yet.
Vincent Nordon vous salue bien
2012
NRNo synopsis available yet.
Vincent Nordon, Roland Barthes et Ça/Cinéma
2012
Behind the camera
10.0Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.
Civil Wars in France
1978
10.0Three episodes from the history of socialism: Babeuf, whose virulent discourse is a radical assessment of the bourgeois revolution of 1789 (Vincent Nordon episode); the legend of Napoleon I, or the formation of the state as it still dominates today (François Barat episode); and the carnage of the Paris Commune, which official history strives to repress and forget (Joël Farges episode). What does it mean to make a historical film today? It means illuminating the present in the light of the past, and therefore adopting the new modes of modern storytelling to challenge what dominates us, structures us, and oppresses us.
Civil Wars in France
1978
4.6Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.
Paris Seen By... 20 Years After
1984