Pancho Varona

These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.

Will love compromise one man's devotion to heavy rock? That's the all-important question behind this broad comedy from Spain. Isi (Santiago Segura) and Disi (Florentino Fernandez) are two best friends who live in a lower middle-class neighborhood near Madrid. Isi and Disi aren't especially bright, but their devotion to heavy metal is complete and unquestioned, and they wouldn't be caught dead listening to a lame pop singer like, say , Joaquin Sabina. However, one day Isi sees Vane (Jaydy Michel), a beautiful girl who attends a nearby college, and immediately falls head over heels in love.

An aging slacker finds his comfortable status quo and family dynamic disrupted when his ex-wife and her current partner decide to move from Argentina to Paraguay and take his children with them.

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

An intimate portrait of Spanish singer-songwriter Joaquín Sabina without his signature bowler hat, at night and with malice aforethought. Rugged, direct, and unflinching, director Fernando León de Aranoa captures Sabina’s hidden side over 13 years of filming, where the artist steps off the stage to reveal stories of misfortune, comedy, inspiration, and of pain.

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500 noches para una crisi is the sixth live album of Joaquin Sabina. The concert was recorded live in Luna Park (Argentina) September 20th, 2014 and is composed of the song performed while on tour. This tour was a celebration of the 15th anniversary of the publication of the album 19 dias y 500 noches in 1999.