Jean-Michel Dufaux

Four very different Montreal university teachers gather at a rambling country house to prepare a dinner. Remy (married), Claude (a homosexual), Pierre (involved with a girlfriend) and Alain (a bachelor) discuss sex, the female body and their affairs with them. Meanwhile, their four female guests, Louise (Remy's wife of 15 years), Dominique (a spinster), Diane (a divorcée) and Danielle (Pierre's girlfriend) are spending the time at a downtown health gym. They also discuss sex, the female body and, naturally, men. Later in the evening, they finally meet at the country house and have dinner. A ninth guest, named Mario, who used to know Diane, drops in on the group for some talk and has a surprise of his own.

From Detroit to Manchester and Boston, countless American towns, streets, and rivers bear French names. But why? Notre rêve américain follows rapper Biz and globe-trotter Jean-Michel Dufaux as they trace the forgotten stories of French Canadians who helped shape American history. Through interviews, archival footage, and on-the-ground exploration, the film uncovers a legacy erased from mainstream narratives — and calls for a renewed connection to this cultural heritage.

The daily life of four friends working in the Quebec entertainment industry presented in the form of a series of reflections on professional ambitions and failures, artistic inspiration and moral values.

From Detroit to Manchester and Boston, countless American towns, streets, and rivers bear French names. But why? Notre rêve américain follows rapper Biz and globe-trotter Jean-Michel Dufaux as they trace the forgotten stories of French Canadians who helped shape American history. Through interviews, archival footage, and on-the-ground exploration, the film uncovers a legacy erased from mainstream narratives — and calls for a renewed connection to this cultural heritage.

REDISCOVER the best moments of: Bob Binette, Jacques Chevalier Longueuil, Raymond Beaudoin, Ginet Robidoux, Dave Ash, Ludger, Corporal St-Gelais, Chose, Yasser Arafat (Québec version). LES BLEU POUDRE on Taquinons la planète was: disobedience (they got kicked in the balls), indecency (they walked around naked), recklessness (they went to chat with the Mohawks), and mischievousness (they loved new rhymes). LES BLEU POUDRE was also politically very incorrect — and damn, it felt good. ENJOY IT WHILE IT NO LONGER EXISTS.

The daily life of four friends working in the Quebec entertainment industry presented in the form of a series of reflections on professional ambitions and failures, artistic inspiration and moral values.