Corrado Sassi

Gheni and Gherti, two young Albanian immigrants who live in Rome and work in a restaurant, settle in the home of the photographer Corrado, who makes friends with the first. In a torrid and empty city for the summer holidays Gherti, more restless, binds with Lino, an old Sardinian who every day accompanies his mentally ill wife to the city. Gheni instead continues his little "climb" in the restaurant and strengthens his friendship with Corrado.

A small film crew is wandering about Marrakesh and the surrounding desert. They are looking for locations for the remake of an American film in which a man swims his way home, passing through the houses and pools that he finds along the route. Corrado is the stand in used to test the shots, locations and the swimming pools in which the lead will be filmed. While we watch his attempts to get into the part, the real actors and a real crew burst onto the scene, on a set in which no one is in the right place. A film with a crisis of identity, in a surreal search for itself.

One night in the life of Italian porn star Valentina Nappi.

Rome, Esquilino, summer. Rossella returns to Rome after years of absence and returns to her home, rented to her friend Salvatore, the set designer. The woman is gripped by an evident depression and wanders around the city that she does not recognize and that no longer recognizes her. People have changed and Rossella finds no one capable of answering the obsessive question that has plagued her for some time: "How can I disappear?"

On the edge of a road that leads out of town, some Nigerian prostitutes pass the time on sagging sofas, bargaining with white clients for their bodies and their thoughts. On another street, some Slavic boys wait to be hired as bricklayers, but they are willing to do any kind of work. At night, an Egyptian works as an illegal in a gas station.

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