Camilla Figenschou

Susanne is visiting with her two daughters, and starts a new collaboration with the dramaturg Tor. Her daughters gets involved with choreographers Toon And Thomas who is experimenting on a new performance project, while the artist couple Viktor and Damla is making a video about a troll in the forest.

Two teenagers are on their way to their secret hiding spot, a bunker from World War II. The tension in the relationship between the two youths is increasing as they stumble across an old rifle.

There is an equestrian center in the north of Norway where horses can heal people. With the intuitive gaze of the camera, viewers experience an intimate understanding of the relationship between the humans and the animals. The film unfolds as an experiment that mirrors the philosophy of place: a commitment to being in the present moment and being able to communicate with the horses. Like the characters in the film, the audience gets drawn into a sensory experience of a place and its people.

I see a woman say it's fantastic when she lets go of control. I see the sea, and the children on the rocks. In the rabbit forest the wolf child howls, they run after her. I see big rough hands in the soil.

A group of children is taken on a trip to a beach. While separated from adult supervision, they discover a stranded porpoise. It is dead. They open it up.

Susanne is visiting with her two daughters, and starts a new collaboration with the dramaturg Tor. Her daughters gets involved with choreographers Toon And Thomas who is experimenting on a new performance project, while the artist couple Viktor and Damla is making a video about a troll in the forest.

Susanne is visiting with her two daughters, and starts a new collaboration with the dramaturg Tor. Her daughters gets involved with choreographers Toon And Thomas who is experimenting on a new performance project, while the artist couple Viktor and Damla is making a video about a troll in the forest.

Susanne is visiting with her two daughters, and starts a new collaboration with the dramaturg Tor. Her daughters gets involved with choreographers Toon And Thomas who is experimenting on a new performance project, while the artist couple Viktor and Damla is making a video about a troll in the forest.

Two teenagers are on their way to their secret hiding spot, a bunker from World War II. The tension in the relationship between the two youths is increasing as they stumble across an old rifle.

Two teenagers are on their way to their secret hiding spot, a bunker from World War II. The tension in the relationship between the two youths is increasing as they stumble across an old rifle.

There is an equestrian center in the north of Norway where horses can heal people. With the intuitive gaze of the camera, viewers experience an intimate understanding of the relationship between the humans and the animals. The film unfolds as an experiment that mirrors the philosophy of place: a commitment to being in the present moment and being able to communicate with the horses. Like the characters in the film, the audience gets drawn into a sensory experience of a place and its people.

I see a woman say it's fantastic when she lets go of control. I see the sea, and the children on the rocks. In the rabbit forest the wolf child howls, they run after her. I see big rough hands in the soil.

A group of children is taken on a trip to a beach. While separated from adult supervision, they discover a stranded porpoise. It is dead. They open it up.

A group of children is taken on a trip to a beach. While separated from adult supervision, they discover a stranded porpoise. It is dead. They open it up.