John Smith

Back stroke butterfly, front crawl and bras, we are awash in an ocean of bubbles. Meanwhile Captain Ahab sets sail on his magic carpet in search of the whale. All is not well in the world but Eden is there, fresh from her garden, tuning into “The Far Away Land”. We are deep in the cloud of our own making but help is at hand, and everything might yet be alright.

A portrait of the artist as a not so young man. The film-maker attempts to enter the digital age by making a new video version of his 1978 film 7P.

Gaza, December 2023. A confrontation with a disturbing photograph on social media triggers questions about what it means to be an onlooker.

Being John Smith is a deceptively wry and deeply felt work by the English avant-garde legend, in which Smith reflects on his life and career by way of his generic name, grappling with his own mortality and legacy, through a minimal, unassuming deployment of text, image, and voice.

A man finds himself haunted by a mysterious black tower in London that appears to follow him wherever he goes.

The discovery of a VHS tape of the artist's films on eBay triggers obsessive speculation about the seller's identity.

Home Suite, Smith’s first video work, is a close-up journey through a domestic landscape and a journey through memory, containing only three cuts over the course of its ninety-six minutes duration. Playing upon ambiguity and the unseen, the tape uses physical details of the space to trigger fragmented verbal descriptions of associated memories.

This critically acclaimed DVD contains 16 of the best classic and award winning British short films and delivers a snapshot of British cinema past and present. It includes films from Britain's most exciting new talent alongside early shorts from it's most successful filmmakers' amongst them Chris Nolan (Memento, Insomnia, Batman Begins), Ridley Scott (Gladiator, Alien), Mike Leigh (Secrets and Lies) and Stephen Daldry (Billy Elliot, The Hours). 01 About a Girl - Brian Percival 02 Boy & Bicycle - Ridley Scott 03 Dear Phone - Peter Greenaway 04 Doodlebug - Christopher Nolan 05 Eight - Stephen Daldry 06 Gasman - Lynne Ramsay 07 Girl Chewing Gum - John Smith 08 Home - Morag McKinnon 09 Joyride - Jim Gillespie 10 Inside Out - Tom & Charles Guard 11 Je T’aime John Wayne - Toby Macdonald 12 The Sheep Thief - Asif Kapadia 13 The Short & Curlies - Mike Leigh 14 Telling Lies - Simon Ellis 15 UK Images - Martin Parr 16 Who’s My Favourite Girl? - Adrian J. McDowall

Made over six years in the hotels of six different countries, Hotel Diaries charts the 'War on Terror' era of Bush and Blair through a seven-part series of video recordings that relate personal experiences to the ongoing conflicts in Afghanistan, Iraq and Israel/Palestine. In these works, which play upon chance and coincidence, hotel rooms are employed as 'found' film sets, where architecture, furnishing and decoration become the means by which the filmmaker’s small adventures are linked to major world events.

A particularly beautiful lily seems to grow before our eyes, gradually changing shape; what sounds like breathing on the sound track gives it an almost human presence. Suddenly the sound and movement stop as a glass plate, invisible until now, cracks – and it seems we’ve been watching, in Smith’s words, ‘the forced development of a hothouse flower’.

Hamas have just won the Palestinian elections and a chocolate bar in a Rotterdam hotel room eventually reminds the filmmaker that there are more important things going on in the world outside. Exactly one year later he returns to the same city and checks in at a very different hotel.

‘Covid Messages’ is a video in six parts, based around broadcasts of Prime Minister Boris Johnson’s COVID-19 press conferences. The work focusses on the British government’s attempts to eliminate the virus through the use of magic spells and rituals. While the pandemic spreads and the death toll rises, the Prime Minister makes repeated errors of judgement. Exasperated by his many mistakes, the spirits of the dead rise up and intervene.

Filmed from the artist’s window during the first English lockdown, ‘Citadel’ combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline.

Filmed from the artist’s window during the first English lockdown, ‘Citadel’ combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline.

After the world premiere of Being John Smith at the Toronto Film Festival a strange experience in the filmmaker’s hotel causes him to ponder the nature of reality.

Waiting by the sea with his camera ready for action, the artist complains about the weather and attempts to describe his intentions and working methods. Soft Work is a film about the making of a film, where the viewer can only imagine what that film might be. It was made spontaneously during the production of Horizon (Five Pounds a Belgian), a video installation commissioned by Turner Contemporary, Margate

A view from a window becomes the locus for a series of visual and verbal descriptions of the past and present.

From the idea that glass, even when cooled, is a liquid that changes in appearance over time, an offscreen narrator launches a recollection of the bygone days of manual glassmaking and an observation of the impact of the mass-produced glass on the changing appearance of England over time.

Blue Bathroom is a distillation of ideas concerning the tension between representation and materiality. It begins with an apparently straightforward representational image which is gradually revealed to be an artifice, foregrounding the filmmaking process as subject matter. By superimposing and alternating identical framings of three windows filmed by day and by night the film uses their positive/negative aspect to construct and break down representational images and sounds. Blue Bathroom consists of three parts which can be shown individually or together. These are Fan (6 mins, silent), Blue Bathroom (11 mins, sound) and Behind the Mask (8 mins, sound). Fan and Behind the Mask can also be presented as the two screen video installation Double Shutter.

A view across the border in Nicosia, the divided capital of Cyprus. The camera looks over the rooftops of the Greek Cypriot south to the mountains of the Turkish Republic in the north, where a display of nationalism is enhanced by filmic means. Moving between macro and micro perspectives, Flag Mountain sets dramatic spectacle against everyday life as the inhabitants of both sides of the city go about their daily business.

A larger than life tribute to Prince Philip, His Royal Highness the Duke of Edinburgh, recorded in 2002 and completed on the day of his death, April 9th 2021.

John Smith’s Leading Light evolves a sense of screen depth and surface through the simple agency of light. The film is shot in a room over a period of a day and records the changes in light through the single window. The image is controlled through manipulation of aperture, of shutter release, of lens, but the effect is more casual than determined and the spectator is aware primarily of the determining nature of following sunlight.

A short film featuring the voices of those affected when the M11 Link Road in East London was built, accompanied by scenes and sounds of demolition.

A portrait of the artist as a not so young man. The film-maker attempts to enter the digital age by making a new video version of his 1978 film 7P.

The perception of an Anglo-American hotel room is coloured by new revelations about ‘The War on Terror’ and ‘The Special Relationship’ that exists between Britain and the USA.

John Smith stands in front of a mirror, singing “Happy Birthday” in a minor key, like a funeral dirge, twice, as he washes his hands.

Rapid cutting between identically framed portrait photographs creates composite faces and various illusions of movement. The film features photographs of students and staff at North-East London Polytechnic, including Tim Bruce, Ian Kerr, Lis Rhodes, Guy Sherwin and myself.

Lost Sound documents fragments of discarded audio tape found on the streets of a small area of East London, combining the sound retrieved from each piece of tape with images of the place where it was found. The work explores the potential of chance, creating portraits of particular places by building formal, narrative and musical connections between images and sounds linked by the random discovery of the tape samples.

Directed by John Smith

Super 8 footage of a moving figure (Lis Rhodes), broken down into still frames and reanimated in superimposed layers. Soundtrack by Peter Cusack.

In the mid 1970s the EMI company were preparing to market the newly developed video disc. Being uncertain as to what content would be appropriate, and looking for innovative ideas, EMI commissioned four postgraduate film students, including myself, to make short films for market research purposes. As the disc would be expensive to produce and would necessarily retail for a high price, EMI were looking for content that viewers would want to watch on multiple occasions, bizarrely setting the brief that the films had to be based on the Guinness Book of Records. I decided to make a multi-layered piece that was so dense that multiple viewings would be required in order to assimilate all of its information.