Antoinetta Angelidi

An intimate confession of the Greek feminist avant-garde director Antoinetta Angelidi to her daughter Rea Walldén, and the world. A film on her gaze and life, her visions and films, and the devastating experience of going blind. A film made during lockdown inside a flat, about our interior space, at the most secret place of which one finds the Other.

The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.

The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.

Shot in 1980 and finished in 2008, 121280 Ritual uses heavy breathing, incantatory chanting, and repetition to ritualize the pregnant body.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

Inspired by Wilhelm Jensen’s Gradiva and Sigmund Freud’s essay on it, as well as by the empty squares painted by Giorgio de Chirico. The uncanny atmosphere of summer noon in Ermoupolis. The film is a fusion of fiction and documentary, essay and performance. It develops the theme of Grandiva but also records the process of teaching film to young performers during the Summer Academy of the National Theatre of Greece. The narrative units of the film are simultaneously exercises on film acting, as well as live performances that took place in the urban space of Ermoupolis, on the Greek island of Syros, in the summer of 2006.

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative