Molina Devi

A 1973 Bengali Drama Film directed by Ajit Gangopadhyay.

Tensions between two brothers arise when one of their daughters marries a government employee. Meanwhile, when Udas' first wife dies and his childhood sweetheart rejects him, he becomes an alcoholic, characterless bohemian kind of person. One day after a quarrel, when he hears baseless and incorrect news that Padma was having an affair with the doctor, he comes to murder the doctor with a knife. In the darkness, drunken Udas killed his old mate, Padma. As a result, he was convicted and sentenced to death.

A young girl,Archana, falls in love with Sukhendu, an educated young man. Her father gladly accepts Sukhendu as his son-in-law. But Sukhendu’s income and nature come in way of this marriage.

The widower land-lord fixes his wayward step-brother's alliance with priest's daughter. Groom disappears on wedding day, and he is forced to marry her. The brother comes back and when the elder brother dies, tries to dispossess the widow.

This story is about a poor village boy named Bhola. A cruel landlord, Rajib wants to open an alcohol factory. But the only problem is that Bhola doesn't want to give him any land.

A 1960 Bengali Romantic Drama Film directed by Jiban Gangopadhyay, featuring Mahanayak Uttam Kumar & Supriya Devi in lead roles.

A Lost Uttam Kumar Film.

Anustup Chhanda is a Bengali movie released on 1 July 1964. The movie is directed by Pijush Bose and features Basanta Choudhury in the lead role.

The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.

Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.

Nilachaley Mahaprabhu was a 1957 Indian Bengali biographical film directed by Kartik Chattopadhyay, based on the life of 15th-century mystic Chaitanya Mahaprabhu, who started his spiritual journey and Hindu reform movement, part of the Bhakti movement during his years at Nilachal, the shrine of Jagannath at Puri. It stars Asim Kumar in the titular role with Dipti Roy, Sumitra Devi, Ahindra Choudhury, Bhanu Bandyopadhyay, Nripati Chattopadhyay and Chhabi Biswas in supporting roles.

A 1958 Bengali Romantic Drama Film directed by Jiban Gangopadhyay featuring Mahanayak Uttam Kumar.

The first-ever collaboration of Uttam Kumar and Agradoot.

Deciding to start a school for girls named after his wife, a zamindar looks for a married couple to manage the establishment. They apply for and get the job. The two are not actually married; they posed as a couple to obtain the job. After a series of complications and delicate situations, love blooms between the two and they marry.

Feeling lonely after his father's death, Chandranath meets and falls in love with a poor widow's daughter during his travels. Later, secrets from her past come to haunt him.

In post-partition Bengal, a clash of cultures between neighbors ignites a turbulent yet tender tale of rivalry, love, and unexpected alliances.

Rani Rashmoni is a Bengali Movie by kali Prasad Ghosh

A 1958 Bengali Romantic Family Drama Film directed by Chitta Bose.

A 1954 Bengali Romantic Drama Film directed by Ajoy Kar, featuring Mahanayak Uttam Kumar & Mahanayika Suchitra Sen.

A 1954 Indian Bengali Drama Film directed by Taru Mukhopadhyay.

A poor guy named Dhiman (Uttam Kumar) found a shelter in a rich man house but eventually fell in love with his daughter, Anjana (Suchitra Sen). Despite trying to make a name for himself by painting and sculpting, Dhiman and Anjana went through all kinds of turmoil to be together.

Mahakavi Girish Chandra is a 1957 movie by Modhu Bose

A 1955 Bengali Drama Film directed by Sudhangshu Mukhopadhyay & written by Prabhabati Devi Saraswati.

Ambernath a well-educated Sanskrit pundit was different from his childhood. The way he thought and described everything was quite different from others. His master Jagannath Tarka Churamoni loved him a lot and after his death, Ambernath took his place. In such a situation Bani the daughter of local zamindar and Ambernath met. After few days, they got married. Bani were very skeptical about her husband and they were not happy with their relation. Later Ambernath left his wife and stayed alone. In the meantime, Bani also understood the affection and love she had for her husband. She came to know about life and commitment. One day Bani heard that Ambernath was very ill and he stayed in a lonely place. Bani rushed there and put her every effort to make him healthy. Later they came to know each other and lived happily.

A 1953 Bengali Drama Film directed by Subodh Mitra.

A film by Tarashankar Banerjee.

Jyotirmoy rejects Sita and marries Anuva without his grandfather's approval. As a result, he gets deprived from his wealth and the entire property goes to Sita. Will Sita help Jyotirmoy?

The life of renowned Bengali poet Michael Madhusudan Dutta.

Businessman Baikunth remarries after the death of his wife and is blessed with a second son. Years later, he leaves his wealth to his wiser elder son, which causes friction between the two brothers.

A father who is ill, is worried about his family in case of his demise. Will he be able to secure their future or will all his hopes crumble?

A 1948 Indian Bengali Drama Film directed by Pashupati Chattopadhyay.

Jagannath, the Lord of Universe's journey towards home from his aunt's house.

The legend of Prince Puran, born under King Silwan of Sialkot's curse which binds his parents never to set eyes on him until he is 16. Accused of leading a debauched life by an evil general and by the king's second wife, Puran is sentenced to death. Rescued by the mystic Gorakhnath, he becomes an ascetic. When the king is overthrown, Purna rises from his meditations to depose the general who has seized power, before returning to his life of renunciation.

A wife rejected by her in-laws following her abduction is given shelter by the husband's friend. The storyline follows the wife's ambivalent feelings for her savior when she's accepted back into the family.

The poor but educated Mahim and his childhood friend, the rich but conservative Suresh, both fall in love with the same woman, the liberated Achala. Mahim marries her and they move to a village but she cannot forget Suresh. Her smoldering unhappiness takes the form of resentment towards the orphaned Mrinal, raised by Mahim's father, and receives a dramatic visual embodiment when their house burns down. Mahim falls ill, is rescued by Suresh, and nursed back to health by Achala. On a train (a metaphor for the irreversibly linear course of life) to a health resort where Mahim is supposed to convalesce, Suresh on a rainswept night gives in to temptation and elopes with Achala. At the end of the film, there is a dubious reconciliation as Achala is shown following Mahim's 'good' traditionalism with Sharatchandra's barely concealed hostility towards Achala's liberated Brahmo Samaj upbringing.

Suren, prevented by his family from pursuing a university career, leaves home and becomes a tutor to Pramila. He falls in love with her widowed elder sister Madhavi who, although returning his love, has him sacked to save the situation.

The simple-minded Rajat (Barua) loves neighbour Jayanti (Menaka Devi). He is advised on how to court her by his streetsmart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. The guardian is admitted to the clinic of a doctor Gajanan where he falls into the clutches of two professional crooks Natoraj (Indu Mukherjee) and Supta (Molina Devi). Supta wants Rajat and they try to kidnap her...

A tenant attacks the villainous landlord Jawaharlal Choudhry, injures his son Priyalal and abducts his daughter-in-law Sandhya. Sandhya escapes unharmed to her relative, the engineer Praksh, but her father-in-law refuses to take her back, believing her to be 'damaged goods'. Sheltered by the kindly Promode, her husband eventually accepts her back although she feels torn between affection for her savior and her marital obligations.

Meera is immersed in her love and devotion to Lord Krishna since a young age. When she grows older, her family get her married to the Rana of Mewar. Misunderstandings occur when her devotional poetry is thought to be love songs for someone. Several hardships are inflicted on her by her husband and her in-laws. She takes to sitting in the temple and singing bhajans (sacred songs) composed by her. Her brother-in-law tries to have her killed many times, but fails. She finally renounces her life in the palace and wanders from place to place singing devotional songs.