William A. Fraker

Camera

William A. Fraker

Born — Died

1923-09-29 — 2010-05-31

Place of birth

Los Angeles, California, USA

Known for

Camera

Credits

9 titles

William Ashman Fraker (September 29, 1923 – May 31, 2010) was an American cinematographer, film director and producer. He was nominated five times for the Academy Award for Best Cinematography. In 2000, he received a Lifetime Achievement Award from the American Society of Cinematographers (ASC) honoring his career. As cinematographer, his films include The President's Analyst (1967), Rosemary's Baby (1968), Bullitt (1968), Paint Your Wagon (1969), The Day of the Dolphin (1973), Coonskin (1975), Looking For Mr. Goodbar (1977), Exorcist II: The Heretic (1977), Heaven Can Wait (1978), 1941 (1979), WarGames (1983), Irreconcilable Differences (1984), Murphy's Romance (1985), Tombstone (1993), a…

Known for

Monte Walsh poster
6.3

Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prarie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start.

Monte Walsh

1970

The Legend of the Lone Ranger poster
4.9

When the young Texas Ranger, John Reid, is the sole survivor of an ambush arranged by the militaristic outlaw leader, Butch Cavendich, he is rescued by an old childhood Comanche friend, Tonto. When he recovers from his wounds, he dedicates his life to fighting the evil that Cavendich represents. To this end, John Reid becomes the great masked western hero, The Lone Ranger. With the help of Tonto, the pair go to rescue President Grant when Cavendich takes him hostage.

The Legend of the Lone Ranger

1981

Irreconcilable Differences poster
5.6

Alternating between the past and the present, a precocious little girl sues her selfish, career-driven parents for emancipation, surprising them both.

Irreconcilable Differences

1984

A Reflection of Fear poster
6.1

A young girl lives with her mother and grandmother. One day her estranged father returns home with a female companion he introduces as his fiance. Soon the girl finds herself in the midst of strange goings-on, which evolve into a web of crime and murder.

A Reflection of Fear

1972

Visions of Light poster
7.0

Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.

Visions of Light

1992

The Making of '1941' poster
6.7

A non-narrated documentary, told mainly in interviews with the filmmakers, on the making of the cult comedy classic, featuring outtakes, rare behind-the-scenes home movies, and trivia facts.

The Making of '1941'

1996

Film credits

Behind the camera