Stig Dagerman

About the Swedish writer Stig Dagerman (1923-1954). More than a style, there is a Dagerman voice. This simple voice speaks softly, without emphasis, of simple people, of children, of old men, of his native Sweden. She is friendly to the humble, the solitary, the victims.

Åke lives under oppressive conditions. The father, a painter, spends his salary on drinking with his buddies.

About the Swedish writer Stig Dagerman (1923-1954). More than a style, there is a Dagerman voice. This simple voice speaks softly, without emphasis, of simple people, of children, of old men, of his native Sweden. She is friendly to the humble, the solitary, the victims.

A young boy lies awake at night waiting for his drunken dad to come home. Listening to his mom's sobs, the boy imagines himself the hero, rescuing the father from his drinking buddies and bringing him home. When the father finally comes home for real, instead of relief, the boy is filled with dread. This film shows how a child tries to cope with parental addiction and conflict.

Swedish writer Stig Dagerman (1923-1954) was a literary sensation who after a few productive years, suddenly fell silent. Struggling with writer's block, Dagerman wrote the essay "Our Need for Consolation" about his inner demons and his quest for freedom. For the first time in English, featuring Stellan Skarsgard as an on-camera narrator, this film brings Dagerman's powerful words to life in the form of a visual poem.

A man dreams of climbing society and begins to manipulate his business companions to get a sale to benefit him. - My companions are probably good and mean well, but they do not understand business. And yes, they have principles. I have that too. But mine are better.

Magnus, an old man sleeplessly sneaks around at night in barns and fields at the farm his son Lennart has taken over. Magnus is anxious and impatient facing the next day.

About the foolish and lost Gabriel who lives entirely in the shadow of his brother, the brave soldier Mart who died in the war and is continuously immortalized by the dominant mother.

Gammel-Nils works as a guide at Glimmingehus and guides us through this movie about love and ghosts.

From 1957 to 1961 170.000 Algerians flee to Tunisia because of the war. Most of them walk by feet across the mountains and the desert, carrying only a few of their belongings in their hands or on donkeys. As there is no clay in the desert they cannot build ordinary houses. They have to live in pits in the ground, covered with canvas, but some are offered to stay in American army tents.