Mark Rance

A very in-depth documentary that follows the very over-worked director Paul Thomas Anderson through a gruelling 80+ days of shooting for the film Magnolia (1999), containing behind-the-scenes footage and interviews.

The film chronicles filmmaker Joel DeMott, significant other/film partner Jeff Kreines and filmmaker Mark Rance as they head to Michigan to make a low budget horror film.

The makeup, stunts, special effects, and production design of 'Blade' (1998) are discussed.

This short documentary shows the original ending to 'Blade' (1998) and explains why it is not in the final film.

Behind-the-scenes documentary on the making of "The Prestige" (2006).

Behind-the-scenes documentary on the making of "The Prestige" (2006).

A very in-depth documentary that follows the very over-worked director Paul Thomas Anderson through a gruelling 80+ days of shooting for the film Magnolia (1999), containing behind-the-scenes footage and interviews.

Beginning with an introduction to the creation of the story, this featurette delves into all facets of the production of 1998's Dark City, and eventually provides a ten minute discussion of the film's reception. A retrospective that runs the gamut of the cast and crew's experiences on the film. We get a look at some storyboards, hear about weirding out the MPAA, and see star and amateur shutterbug Rufus Sewell present the many photos he took on the set.

Beginning with an introduction to the creation of the story, this featurette delves into all facets of the production of 1998's Dark City, and eventually provides a ten minute discussion of the film's reception. A retrospective that runs the gamut of the cast and crew's experiences on the film. We get a look at some storyboards, hear about weirding out the MPAA, and see star and amateur shutterbug Rufus Sewell present the many photos he took on the set.

A documentary about the Nightmare on Elm Street series.

A documentary about the Nightmare on Elm Street series.

A documentary about the Nightmare on Elm Street series.

Intriguingly unpacks various meanings of the film. The feature presents five perspectives on Dark City: "A Postmodern Film" (Lem Dobbs), "Identity Theft" (UCLA professor Vivian Sobchak), "Worlds Constructed" (NYU professor Dana Polan), "Cities as Spectacle & Collective Memories" (Lem Dobbs and Roger Ebert), and "Memoirs of My Nervous Illness by Daniel Paul Schreber" (Alex Proyas and Rosemary Dinnage)

Intriguingly unpacks various meanings of the film. The feature presents five perspectives on Dark City: "A Postmodern Film" (Lem Dobbs), "Identity Theft" (UCLA professor Vivian Sobchak), "Worlds Constructed" (NYU professor Dana Polan), "Cities as Spectacle & Collective Memories" (Lem Dobbs and Roger Ebert), and "Memoirs of My Nervous Illness by Daniel Paul Schreber" (Alex Proyas and Rosemary Dinnage)

"Reflections on the Phenomenon of Twin Peaks" is a featurette originally released on the 2001 DVD release of Twin Peaks: Fire Walk with Me. It features various cast and crew reflecting on Twin Peaks and Twin Peaks: Fire Walk with Me.

David S. Goyer, Stan Lee, and Wizard magazine's Gareb Shamus discuss the shift from brightly colored superheroes of the 1970s to the darker antiheroes of the '80s and '90s.

A look at the making of Rush Hour

A look at blood's role in everything from theology to history, medicine, vampire lore and mythology, literature, and the movie 'Blade' (1998).

A documentary on the life of Texas filmmaker Eagle Pennell.

John Waters and the cast and crew of "A Dirty Shame" discuss sex addiction, sexual terms and all things relating to filth and perversions in Dreamland.

Marc Okrand discusses his involvement with the Star Trek franchise and his work on inventing the Klingon and Vulcan languages.

Documentary about the making of John Waters' 1990 film Cry-Baby.

Documentary about the making of John Waters' 1990 film Cry-Baby.

Documentary on the special effects, color process, storyboards, and the painted mural for the film 'Pleasantville'.

Documentary focusing on the making-of the 1940n adaptation of Pinocchio by the Disney studio, often considered the artistic pinnacle of the Disney feature.

“My mother decided to go back to school when she was 47 years old. Her four children had all left for college, and she felt now was the time to re-start her career in fashion design, so she enrolled in the Fashion Institute of Technology. I was auditing a film class at MIT’s Film & Video section and made this documentary about her. […] This film turned into a double portrait of her and of me.” –Mark Rance