Ximena Cuevas

Directing

Ximena Cuevas

Born

1963-01-01 (63)

Place of birth

Mexico City, Mexico

Known for

Directing

Credits

23 titles

Ximena Cuevas (born 1963) is a Mexican videomaker and performance artist. Her work often explores the possibilities of the relationship between the social aspect and gender issues in contemporary society.

Known for

Behind the camera

Víctimas del Pecado Neoliberal poster
8.5

No synopsis available yet.

Víctimas del Pecado Neoliberal

1995

Mexican Erotica poster
NR

Mexican Erotica is a collective reappropriation film that explores sex and eroticism from various artistic and aesthetic points of view. A journey of textures, sensations and unmissable pleasures.

Mexican Erotica

2022

A la Manera de W. Disney poster
NR

No synopsis available yet.

A la Manera de W. Disney

1992

Tómbola poster
8.0

Ximena Cuevas books herself onto the tabloid talk show Tómbola, toying at first with whimsical deconstruction until she turns the whole affair on its head by seizing the televisual flow itself.

Tómbola

2001

No artwork available
NR

An homage to Luis Bunuel's The Criminal Life of Archibaldo de la Cruz with a twist to these days control systems of security. From the moment we are suspects we are potential culprits. Therefore we are all guilty.

Ensayo de un Crimen

2005

Las tres muertes de Lupe poster
NR

No synopsis available yet.

Las tres muertes de Lupe

—

Cinepolis, the Film Capital poster
NR

"Perhaps Cuevas' most chilling work, Cinepolis forecasts an image-driven invasion of everyday life, picture-perfect and unnoticed. This alien intrusion comes in the form of a fully branded consumerscape that cheerily foists fast food along with the fantasy. Irreverent and biting, Cuevas fights back with the only weapon available--images of the enemy, and the enemy’s images." --Steve Seid, Pacific Film Archive, 2004

Cinepolis, the Film Capital

2003

Destino poster
NR

No synopsis available yet.

Destino

—

Diablo en la Piel poster
8.0

The palms of Lana Turner's hands were full of scars; the technique she used in order to achieve melodrama was to tighten her fists, digging her fingernails into them until she began to cry. Day after day, soap opera actresses smear Vick's Vaporub into their eyes in order to cry. The effect of these false tears are the tears of the public. In Devil in the Flesh we see the camera's tricks, and even so the action seems dramatic. This piece once again exemplifies my fascination with the artificial: the fabricated emotions; the Christian looking for pain in order to live out Passion; the discomfort of the everyday melodrama; the emptiness that defeats everything

Diablo en la Piel

1998

Kansas Avenue poster
NR

Dorothy doesn't reach her dream of the Emerald City. Rather, she will have already been over the rainbow by the time she arrives at the worst corner in Kansas.

Kansas Avenue

1999

Staying Alive poster
NR

Blind man: “It is bad to be alone.” The Creature: “Alone, bad.” —The Bride of Frankenstein It can be so bad to be alone that even an artificial heat is better than none.

Staying Alive

2001

Dormimundo poster
NR

The discomfort stems from being oneself. The clips included here explore who we are and who we imagine ourselves to be. They are experiments in appearances, examining the use of artifice to enhance life or conceal it. It is a reflection on moral dislocation, hypocrisy, autonomous dreams, self-hatred, and self-destruction—the act of repeatedly killing our dreams.

Dormimundo

2000

SOMEONE BEHIND THE DOOR poster
NR

No synopsis available yet.

SOMEONE BEHIND THE DOOR

—

Half-Lies poster
8.0

A video poem about the nature of social relations and mass media, Half Lies exposes the seemingly innocuous ways we distort truth. Harmonious families, trade treaties, and current events are among the mediated realities that Cuevas interrogates. Half Lies makes the viewer question the half truths we encounter daily. The video walks the haunting gray area between documentary and drama, creating a world that is both shockingly grotesque and startingly authentic. Using mass-mediated images, animation, image manipulation, and fantasy, Medias Mentiras interprets the chaotic landscape of politics, urban chaos and everyday existence.

Half-Lies

1996

Soulmates poster
NR

The innocence of creating a mirror, only to repeatedly crush it underfoot.

Soulmates

1999

Natural Instincts poster
7.0

Short experimental horror documentary on media racism

Natural Instincts

1999

No artwork available
NR

La Puerta makes us spin out of control in the long and cruel corridors of an institutional nightmare.

The Door

2000

Cama poster
NR

No synopsis available yet.

Cama

—

No artwork available
4.0

An upper class wedding in Mexico City where the guests fantasize about the exotic faraway dreamscape that is their “Hawai”.

Hawai

1999

We’re Here to Serve You poster
NR

No synopsis available yet.

We’re Here to Serve You

1999

No artwork available
NR

A short by Ximena Cuevas

Parrot's Saliva

1994

No artwork available
6.0

After working in solitude at the studio, the artist leaves, uncomfortable with the idea of having to put on a face for the art world, where they expect you to say something articulate in order to grab the curator's attention. - Video Data Bank

Contemporary Artist

1999

Cuerpos de papel poster
8.0

Mixing samba, sex, and lovers' lies, this beautiful short is a visual meditation on sexuality, loss, jealousy, and intimacy.

Cuerpos de papel

1997