Vito Košir

At night a city bus driver finds an abandoned baby near a stop. A divorced man comes to pick up his excited son for the weekend. A pretty doctor befriends a quadriplegic. Out of this unfolds a delicate story of human relationships, in which tough feelings of sympathy and guilt the protagonists are confronted with different ways of looking at events.

The film story is based on a time-out when the characters from Vandot's stories about boy Kekec grow up. Rozle becomes the village priest, Mojca goes to work in the city, Bedanec becomes a village dormitory, Kosobrin is a slightly more modern herbalist, and Kekec remains a shepherd, but only slightly grows. Through all the narrative, Kekec wants, and he is very determined, to marry in a short time with Mojca, who is entrusted with his director Feri. A couple of times, they crash into Kosobrin's village after a drop of Mojca's painful eyes. Kosobrin and Bedanec still do not understand best. Bedanec still wants to get rid of Kosobrin's mysterious recipes and Kekec still protects him, but with increasing problems. Kekec's decisiveness, courage, and strength were broken by his unheard-of love towards Mojca. All this illness can only relieve the true flower.