Production

Geoffrey Helman

Known for

Production

Credits

6 titles

Known for

Krull poster
6.1

A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.

Krull

1983

Black Rainbow poster
5.9

Martha Travis is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron from her husband, Tom. But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows...

Black Rainbow

1989

84 Charing Cross Road poster
7.2

When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.

84 Charing Cross Road

1987

The Passage poster
6.0

During WW 2, a Basque shepherd is approached by the underground, who wants him to lead a scientist and his family across the Pyrenees. While being pursued by a sadistic German.

The Passage

1979

The Making of an Epic: Mohammad, Messenger of God poster
6.5

An in-depth look at the making of ‘The Message’, featuring interviews with key figures such as Moustapha Akkad, the film's producer, who shares his personal connection to the project. The documentary covers various aspects of the production, including the construction of the massive historical Mecca set, the creation of costumes, and the challenges of shooting in the desert. It also discusses the decision to shoot the film in two different languages (Arabic and English) and the unique issues that arose from this choice.

The Making of an Epic: Mohammad, Messenger of God

1976

Behind the camera

Krull poster
6.1

A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.

Krull

1983

Black Rainbow poster
5.9

Martha Travis is a medium who makes contact with spirits "on the other side" and connects them with their loved ones still alive, in public performances. Trouble begins when she gives a message to Mary Kuron from her husband, Tom. But Tom isn't dead... yet. And Martha not only knows he will die, she also knows who killed him. And the murderer knows she knows...

Black Rainbow

1989

84 Charing Cross Road poster
7.2

When a humorous script-reader in her New York apartment sees an ad in the Saturday Review of Literature for a bookstore in London that does mail order, she begins a very special correspondence and friendship with Frank Doel, the bookseller who works at Marks & Co., 84 Charing Cross Road.

84 Charing Cross Road

1987

The Passage poster
6.0

During WW 2, a Basque shepherd is approached by the underground, who wants him to lead a scientist and his family across the Pyrenees. While being pursued by a sadistic German.

The Passage

1979

The Making of an Epic: Mohammad, Messenger of God poster
6.5

An in-depth look at the making of ‘The Message’, featuring interviews with key figures such as Moustapha Akkad, the film's producer, who shares his personal connection to the project. The documentary covers various aspects of the production, including the construction of the massive historical Mecca set, the creation of costumes, and the challenges of shooting in the desert. It also discusses the decision to shoot the film in two different languages (Arabic and English) and the unique issues that arose from this choice.

The Making of an Epic: Mohammad, Messenger of God

1976

The Making of an Epic: Mohammad, Messenger of God poster
6.5

An in-depth look at the making of ‘The Message’, featuring interviews with key figures such as Moustapha Akkad, the film's producer, who shares his personal connection to the project. The documentary covers various aspects of the production, including the construction of the massive historical Mecca set, the creation of costumes, and the challenges of shooting in the desert. It also discusses the decision to shoot the film in two different languages (Arabic and English) and the unique issues that arose from this choice.

The Making of an Epic: Mohammad, Messenger of God

1976