Hynek Němec

It is the 1930s. Physician Bartos devotedly attends poor patients in the city suburbs, at the same time researching the possibilities of regeneration of human tissues after transplantation. His former colleague Rosen, now working as an assistant at the private clinic of surgeon Kirchenbruch, considers the research a mere utopia. The disappointed Bartos, trying to verify his theories, therefore accepts the outrageous proposal of Marion, owner of a brothel - to surgically replace the face of her lover, the wanted thief Cutter, with the face of murdered Father Hopsasa. Bartos is well paid but his successful operation remains a secret.

The Czech revival movement is divided at the end of the first half of the 19th century. While the older generation, such as František Palacký, urges restraint, students lean towards radical positions. A report on the revolutionary events in Paris prompts Czech Prague residents to write down the demands of the Czech nation for self-determination and the proclamation of a constitution. Tensions peak during the All-Slavic Congress in Prague's Žofín. Vienna rejects the Czech demands and the congress is brutally dispersed by the Austrian police. Prague begins to build barricades...

Josef Lachman, once a security officer, serves twelve years for aiding an SS fugitive’s escape. Upon release, he works as a driver on a dam project, hunting buried English pounds Meyer told him about. With miner Rokos’s help, he retrieves the cash and hides it with his daughter Eva, but she spends some at Tuzex, Rokos blackmails him, and they discover the notes are WWII forgeries.

The catastrophically dry weather of 1947 causes immense problems in the countryside. In the small village Klícov, only farmers Hánek and Bervida and the old Hromádka have water. The others must queue every day for a drop for themselves and their cattle. All the villagers lament over their previous decision to turn down the cooperative chairman Kouba's proposal to built a new village water-supply system.

The first part of the "Hussite Revolutionary Trilogy", completed with Jan Žižka (1955) and Proti všem (Against All Odds, 1957). The film captures the period from May 1412 to the summer of 1415, a turbulent time in the Czech Kingdom, during which there were protests in Prague against the sale of "omnipotent indulgences" whose sale throughout the kingdom was announced by Pope John XXIII. The ideological leader of this movement is the preacher Master Jan Hus, whose words, calling for the elimination of church abuses, are listened to in the Bethlehem Chapel by thousands of ordinary Praguers, Czech lords and Queen Sophie, wife of the Czech King Wenceslas IV.

A ballad story from the life of the inhabitants of the Moravian Beskydy Mountains. The heroine is a young woman, Františka Plesníková. Františka's lover was killed by a falling tree before he could marry her, and the girl faced the bitter fate of a "roll" of illegitimate mother. Františka fought with all her might for a better life for her son Metúdek. For his sake, she eventually married an old widower farmer, Podešva. However, she soon realized that her marriage had not benefited either herself or her child.

The Emperor's mismanagement of his country is provoking some in his court to plot to overthrow him. He feels successful, at least, when he discovers the legendary Golem, which he believes can protect him and even cure his imaginary illnesses but, when he disappears while on a bender, his kindly baker, who looks just like him, is mistaken for him, and begins to put things in order. However, the conspirators, not to be outdone, determine to bring the Golem back to life to do their bidding.

A socialist drama from the time of the February coup. The owner of the brickyard will use several workers before February in order to subvert worker solidarity and continue to do his black business. However, the vigilance of a young, aware worker prevents him from doing so.

An anthology of three absurd, ironic tales inspired by Čapek’s “Tales from One Pocket” and “Fables and Side Stories,” each showing uncanny forces disrupting ordinary lives: in Krejčík’s “Glorie,” a gentle clerk is haunted by a sudden halo; the other two segments by Mach and Makovec similarly blend everyday routines with ironic, supernatural twists.

The leader of the emerging organized labor movement in the 1880s, Ladislav Zápotocký-Budečský, is exiled to his native village, where he works as a tailor and continues to raise social awareness among members of the working class.

As a young actor František Lukávec and his teacher Vladimir Tuma became enemies. František insisted that Tuma was dismissed from the school as a reactionary and hostile to the new government. Many years passed, and here they met again on the stage of a theater. František is assigned the role of Julius Fucik, Tuma plays the role of a Gestapo man in the same play. In the course of the action, the Gestapo man beats Fucik. Taking advantage of this opportunity, Tuma beats up his old enemy during the dress rehearsal. Frantisek's face is bleeding, but he will still play. The rehearsal continues...

Baker Jan Racek (Vladimír Repa) is a very hard-working and sensible man. His great passion is pigeon-keeping and also, for many years, Ruzenka (Ludmila Vostrcilová). They are going to get married but Racek is busy waiting for the pigeons' return and misses the wedding. The engaged couple is already getting a little older so the otherwise kind Ruzenka gets very angry at this and gives Racek an ultimatum - it's going to be her or the pigeons.

The second part of the revolutionary Hussite trilogy takes place in the years 1419-1420.

Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.

Matylda, who lives in the Czech countryside, is trying to arrange burial plans for her dying husband, Jan. While Matylda hopes to have a funeral for Jan in the small town where they once lived, there are complications. Years earlier, Jan spoke out against the Communist government and was consequently expelled from the town. When Matylda fails to convince a local politician to allow the ceremony, she uses her husband's funeral as a public show of dissent.

Working in the city office is a bitter clerk who believes he has only 14 days to live and so he bravely stands up to his bureaucratic director.

In the last days of the war, American planes bomb a synthetic gasoline plant in the Sudetenland. The workers are then faced with the enormous task of building a new plant on the site of the ruins and starting production. Their efforts are truly bearing fruit - after immense sacrifices, Stalin's plants are back in full swing, which is something that competitors abroad don't like to see and they try to use the reaction to liquidate the production of synthetic gasoline...

The course of an organized strike by workers from North Moravian steelworks in 1931 to resist mass layoffs during the economic crisis.

The film, in individual episodes, captures the fate of Bedřich Smetana from 1856 until the end of his life, from his young years until the moment when, exhausted by human and artistic hardship, he sees the fulfillment of his great dream, the opening of the National Theatre.

An outdated fireclay factory is due to close, but its long-time employees can't imagine stopping what has fed them all their lives and what they do best...

The story of a group of little boys from a border town in Western Bohemia who help catch marauders.

The happenings in a shoe factory serve as a not very thinly veiled examination of the pros and cons of both socialism and democracy.

A biographical film about the famous Czech painter Mikoláš Aleš, portrayed as part of the vanguard of the working class and a spokesman for the oppressed, who asserts himself despite the opposing bourgeoisie and reactionaries of all kinds. The film focuses on the period when Mikoláš Aleš participated in the competition to decorate the National Theatre.

Worker Šebesta does not rejoice with the others in the May Day parade, as his boots are weighing him down. The following working day does not bring him a good mood either. At a plant-wide meeting, he comes into conflict with the young striker Brejcha from the United Engineering Works. He demands an increase in the production of heating elements so that the new hall can be completed before the deadline. The workers react to his passionate speech about the improvement efforts with distrust and, with a bit of mockery, challenge him to prove his words with action in their plant...