Jürgen Lehmann

Sascha lives in Berlin. She is 23 years old and doesn't really know what to do with herself. She has been walking the streets of Berlin for days and nights. She only wants one thing - to forget.

On a break from a photo shoot, a fashion model discovers everything is edible: the furniture, the TV, the walls around her…

Ella has been living in her apartment in the city center for more than 40 years. Due to the massively increasing price of rent, she is forced to move out soon and to give away most of her beloved pieces of furniture. Even the ones, she restored by herself. When the new tenants of her apartment stop by to pick and choose which of her valuables they would like to keep, Ella realizes that her time in this apartment is coming to an end.

The people of this remote village in the Black Forest don't talk much, but when they do, it's in the Alemannic dialect. Hanna, 21 has traveled far to work here. She shovels manure, milks cows and tries to cope with the farmer, Uwe Kiefer, 39. Rather than sell his milk, he pours it down the drain. The villagers condemn him for continuing the milk strike. Both his marriage and his finances are on the rocks. As Hanna becomes more involved in Uwe's troubles, it seems she may be his only hope. But that's not why she came here. In the neighboring town, she spies on a small family and then Uwe finds her out.

Third part of Hölderlin-trilogy, the most narrative of them, based on the late piece by Friedrich Hölderlin.

The airline "Dream Air" is on the verge of bankruptcy - as the flight of another airline is overbooked, the airline is naturally happy to help out the competition and so the experienced pilot Hans Krüger takes off with the young co-pilot Conny Neudorff - despite warnings from the mechanics.

After months of absence, guitarist Tom Schulze reappears in Berlin. He is met with a wave of rejection. A beating awaits him in his local pub, his pregnant girlfriend slams the door in his face and his best friend doesn't take kindly to him either. Tom is ready to take the fall for his past violent outbursts. He asks for a second chance. Slowly, he gets his life back under control. But when he seems to be on the verge of achieving his goal, he completely snaps...

For Jules and Mia time seems to be standing still. Again and again they are trying to reinvent themselves and escape the still image, which keeps them hostage. But as soon as they dive into denial and seem to get hold of a glimpse of intimacy, reality catches up with them and throws them back onto their self-imposed struggle. "Oysters Without a Shell" is the semi-fictional portrait of two women, their dreams and fears, their dysfunctional generation, and Berlin, the city they live in that has — just like them — not found its identity yet.