Directing
Peter Emanuel Goldman
Born
1939-06-05 (87)
Place of birth
New York, New York, U.S.
Known for
Directing
Credits
11 titles
Peter Emanuel Goldman (born June 5, 1939 in New York) is an American film director. He did not have a strong interest in film but did see early works from the French New Wave. He enrolled in university, first in New York and then at La Sorbonne in Paris, but did not complete his studies. Returning to New York, he was given an old 8mm camera from his father, and he began shooting street scenes in Greenwich Village. His first feature-length film, Echoes of Silence, took the sorts of everyday scenes he had been shooting and created a fictional story in which to place them, following the adventures of an aimless young man wandering the streets of New York. He cast his friend, sculptor Miguel Ch…
Known for
Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.
Pestilent City
1967
A film by Peter Emmanuel Goldman. This sexploitation film, unfortunately lost, and never seen again after 1968, was shot in different styles, sometimes imitating Godard, Bergman, Truffaut or Bertolucci. The producer hated it and Brian DePalma wrote a funny article about it in the Village Voice. All that remains of it is a 35mm trailer and 9 min of 16mm work print.
The Sensualist
1966
NRTimes Square at night... alien, death-like... negative images... –P. E. G.
Night Crawlers
1964
NRDirected by Peter Emmanuel Goldman.
8mm Reels
1965
5.7A chronicle of the lives of twenty-somethings adrift in New York City, finding tremendous pathos in the smallest moments: a furtive glance across a museum gallery, girls putting on makeup, a stroll beneath the pulsing lights of Times Square marquees.
Echoes of Silence
1965
Silent comedy about a formal dinner on the floor of the IRT subway. N. Y. C. - P.E.G.
Recommended by Duncan Hines
1963
Film credits
Behind the camera
Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.
Pestilent City
1967
A film by Peter Emmanuel Goldman. This sexploitation film, unfortunately lost, and never seen again after 1968, was shot in different styles, sometimes imitating Godard, Bergman, Truffaut or Bertolucci. The producer hated it and Brian DePalma wrote a funny article about it in the Village Voice. All that remains of it is a 35mm trailer and 9 min of 16mm work print.
The Sensualist
1966
NRTimes Square at night... alien, death-like... negative images... –P. E. G.
Night Crawlers
1964
NRDirected by Peter Emmanuel Goldman.
8mm Reels
1965
5.7A chronicle of the lives of twenty-somethings adrift in New York City, finding tremendous pathos in the smallest moments: a furtive glance across a museum gallery, girls putting on makeup, a stroll beneath the pulsing lights of Times Square marquees.
Echoes of Silence
1965
5.7A chronicle of the lives of twenty-somethings adrift in New York City, finding tremendous pathos in the smallest moments: a furtive glance across a museum gallery, girls putting on makeup, a stroll beneath the pulsing lights of Times Square marquees.
Echoes of Silence
1965
5.7A chronicle of the lives of twenty-somethings adrift in New York City, finding tremendous pathos in the smallest moments: a furtive glance across a museum gallery, girls putting on makeup, a stroll beneath the pulsing lights of Times Square marquees.
Echoes of Silence
1965
Silent comedy about a formal dinner on the floor of the IRT subway. N. Y. C. - P.E.G.
Recommended by Duncan Hines
1963
8.0A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.
Wheel of Ashes
1968
8.0A stripped-down account of a young man's existential reckoning. "As dust hides a mirror, lust hides the self," reads one of the film's Vedanta-sourced intertitles. And indeed, while the Pierre Clementi protagonist's inner life remains obscure, the Saint-Germain-des-Pres neighborhood that offers his temptations appears in harrowing detail.
Wheel of Ashes
1968