Lucy Saroyan

In New York, armed men hijack a subway car and demand a ransom for the passengers while the authorities question about the method of their escape.

The true life story of Wendell Scott, the first black stock car racing driver to win an upper-tier NASCAR race.

Fed up with mistreatment at the hands of both management and union brass, and coupled with financial hardships on each man's end, three auto assembly line workers hatch a plan to rob a safe at union headquarters.

A dentist pretends to be married to avoid commitment, but when he falls for his girlfriend and proposes, he must recruit his lovelorn nurse to pose as his wife.

When CIA operative Miles Kendig deliberately lets KGB agent Yaskov get away, his boss threatens to retire him. Kendig beats him to it, however, destroying his own records and traveling to Austria where he begins work on a memoir that will expose all his former agency's covert practices. The CIA catches wind of the book and sends other agents after him, initiating a frenetic game of cat and mouse that spans the globe.

When retired salesman Joseph Kotcher begins to feel pressure to move out of the house he shares with the family of his son, he opts to embark on a road trip instead of settling in a retirement home. Befriending Erica, a young pregnant woman and his grandson's former nanny, Kotch begins to finds new meaning in life as he helps her prepare to welcome her baby into the world.

Some unknown source has interrupted all television transmissions around the world. In place of the regular broadcasts, a lineup of extremely tasteless programs and commercials have been substituted. Included in the mix are such show as The Shitheads, The Charles Whitman Invitational, and commercials for a number of improbable products.

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.