Anne Mathieu

Patrice Enard’s ‘Pourvoir’ is a film mainly comprised of images of women in nature, his style is stark and repetitive, shots are angular, which both hide and reveal. There is though a visual poetry to his work - once the smoke dissipates, a sexual liberation emerges, with subtle flourishes in the staging and editing threaded together by Marxist and Freudian discourses.

This is the story of Céleste, a young, maid employed by Victoire and André in 1908. It is the story of Victoire, the model wife she doesn't know how to be. Two women who are completely different but who live under the same roof, defying conventions and the unspoken.