Mariam Kaba

Longing for a brighter future, two Senegalese teenagers embark on a journey from West Africa to Italy. However, between their dreams and reality lies a labyrinth of checkpoints, the Sahara Desert, and the vast waters of the Mediterranean.

Three officers are tasked with escorting an illegal immigrant to Charles de Gaulle airport, where he will be forced onto a plane and sent back to his homeland. But when they find out about the truth, they have to make a difficult choice.

In a recording studio, five mothers read the testimonies of other anonymous mothers and open up, laying bare their regret about motherhood. On an imagined island, these five mothers are locked away in an open-air prison. They are under surveillance and forced into hard labor.

West Africa, early 1960s. A French officer is assigned to find a missing missionary. His investigation, amid mistrust, silence and prejudice, takes him far away from the glittering shoreline, where day and night become one.

Djéné is a 45-year-old chambermaid employed by a subcontracting agency, working in a large Parisian hotel with deplorable working conditions. One evening, she discovers one of her colleagues unconscious, a victim of the frantic pace imposed by their managers. Djené decides to bring her colleagues together to make their voices heard.

Paul is married to Sali. Everything would be fine if they could get a child. Until the day when Sali receives the call that they have been waiting for so long: their adoption file is approved. He is adorable, he is 6 months old, his name is Benjamin. He is blond with blue eyes and white. They - are black.

12 year-­old Adama lives in a remote village in West Africa, sheltered by the cliffs. Out beyond lies "the world of wind," the kingdom of wicked spirits hungry for war. When his elder brother Samba suddenly vanishes from the village, Adama decides to set off in search of him, crossing into a Europe in the grip of World War I.

Recently returned to her home in the Sultanate of Zinder after completing her degree abroad, a young woman suffering from the pain of a lost love finds renewal while awaiting the mystical promise of a new moon.

A small craftsman disappears, his brother, a grocer, searches for him and… to his surprise, he finds a misappropriation of Humanitarian Aid! Someone's lining their pockets, but who? And what is the little craftsman doing in there? Investigation, twists and turns, suspenses, prosecutions and murders follow! But, beyond this form, the substance never ceases to be present, namely: why do those who need it most accept to see a large part of the international donations intended for them disappear?

After five years of graduate studies, Red is always in search of a job and fight every day against the exclusion. Slowly, he is moving away from Anna, the love of his life. As a result of a letter to him meaning its cancellation, he makes it to the Agency for the employment, where he refuses an appointment. Having nothing more to lose, he then takes hostage the staff and the public. As a final appeal to the help, he is decided to save what remains of its dignity.

A teacher, driven to exasperation from insults and insubordination, takes her class hostage.

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

A young vivacious Parisienne of African descent, dreams of becoming a fashionable hairdresser after graduation, but her aspirations clash with the traditional views of her family who forces her to marry a man she does not love. Fortunately, a friend comes to her aid.

Because they could no longer stand the xenophobic comments and behavior of their neighbors, Véronique and Sylvain Marchand, parents of a little girl and members of the Stop Racism organization, went into exile in a quiet suburban town, where they bought a house, the villa "Mon rêve". Soon after, the Dialo family, friendly Africans, moved into the adjoining house. At first, the two families get along perfectly. The only problem was that the Dialos organized many parties, which often ended late at night. The patience and understanding of the Marchands only delay the inevitable conflict.

The Golden Ball is a wonderful children's film that tells of a young boy's dream of being a soccer player. Whenever a match is broadcast live in the village of Makono, Bandian and his brother keep their ears to the transistor radio, spinning a picture of the game from the announcer's commentary much as they fantasize themselves on the field. A gift of a real soccer ball, which Bandian paints gold, like a magical object involves him in a series of adventures which bring him in reach of his dream, but which also require him to make difficult choices.

The year is 1943 and the place is Balandou, a small village in Guinea. The plot revolves around Adjutant Mariani, some kind of a misfit. Despised by his superiors, hated by his wife Marie-France, he represents colonial France while dreaming of Africa and its mysteries. When pro-independence Lanseye Kante, the new manager of the school, arrives in the village, turmoil arises.

The only surviving accomplice of a gas station robbery gone bad, Samba Traoré flees the scene with a suitcase full of cash. However, his newfound happiness is put to the test as he struggles to cope with the moral crisis of his crimes.

The recolonization of Africa, this time by the very blacks who had to flee it as exiles during the time of the original French occupation, is the theme of this political comedy. Adiza, who has been living well in France, has decided that she will return and buy the plantation she and her compatriots were expelled from, and enlists some unlikely helpers to bring them back into the country and enact their plot. Meanwhile, these "local" blacks are unwittingly accepted by the other landowners as more cheap labor.

Husband finds out that his wife is a secret agent and that she has a handsome partner.