Nina Langensand

A film casting in Paris. Young actresses (and actors) try to incarnate the Swiss writer and traveler Annemarie Schwarzenbach (1908-1942). In order to get the role of this emblematic and sulfurous figure of the late 30's, child of the 'lost generation', antifascist and gay, this actors play scenes of her life, try to assume poses of hers from photos, and talk about their own life through the prism of her fascinating and ambiguous personality. A portrait arises, singular and multiple, public biography and intimate memory, drawn up by the woman of the past as well as by the young generation of 2014. Slowly, a reconstituted and collective figure emerges and encounters an own fictitious life.

It's the month of August and hot in the city. Dante's girlfriend has abandoned him for a rich lover. Then he meets Rhea, who lives together with a wealthy man twice her age. She claims that he's not jealous and begins an erotic game with Dante, who passionately rushes headlong into the affair, no questions asked. But why is it that Rhea counts her erotic encounters precisely? And why does she document practically everything she experiences with the video on her mobile phone?