Marcin Borchardt

A group of blockheads-dressers want to get money for a vacation, not necessarily with honest work. They combine in various ways, finally coming up with the idea of kidnapping a child for ransom. Thanks to their intelligence, they kidnap a boy from an orphanage. As if that wasn't enough, two paid assassins are also commissioned to kidnap the same child.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Evita Peron’s private pilot, Richard Nixon’s press officer, Queen Elisabeth’s guest of honor, first non-Cuban journalist to interview Fidel Castro. Living in communist Poland, where people are banned to have passports. Meet Tony Halik – the legend and the liar.

Evita Peron’s private pilot, Richard Nixon’s press officer, Queen Elisabeth’s guest of honor, first non-Cuban journalist to interview Fidel Castro. Living in communist Poland, where people are banned to have passports. Meet Tony Halik – the legend and the liar.

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

No synopsis available yet.

No synopsis available yet.

This film is a double portrait, or rather a triple one, as the extraordinary story of Franciszka and Stefan Themerson is told by the painter’s niece.

This film is a double portrait, or rather a triple one, as the extraordinary story of Franciszka and Stefan Themerson is told by the painter’s niece.