Mariangélica Ayala

An Ancient Mayan curse is awakened in the ancient temples in Mexico, and people are killed in strange and gory ways by an invisible force.

In a forgotten railway outpost, a humble stationmaster meets a glamorous society woman. Their brief wait for her train turns unexpectedly intimate—until her fiancé arrives, and the night erupts into a desperate struggle as he tries to drag her back by force.

Tierna es la Noche is a film without bullets nor sea, without mosquitoes, without peasants nor flowers. It only contains a barman, a man and a beautiful woman who lives in a bathroom. For commercial reasons, we have included two policemen, a drop of blood and a multilingual nymphomaniac. For aesthetic reasons, a tear and a black man. For both reasons, the film takes place anachronically, during the fifties and nineties in a make-believe city called Caracas. It's a story of histerics, like all stories, unfinished.