Alberto Fasulo

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

2007. Fred, a 17-year-old girl who just moved from Sweden to Northeast Italy, enrolls for her high school senior year—finding herself the only female student in an all-male class. Lively and good-looking, she quickly becomes the center of attention, especially for three classmates: Antero, charming and reserved; Pasini, a cocky womanizer; Mitis, gruff and sagacious. The three have been best friends for as long as they can remember, but Fred's arrival puts their longstanding bond to the test. As each of the guys secretly desires Fred for himself, she yearns to be accepted into the group and be considered 'one of them', but is asked to sacrifice more and more in order to belong.

A young woman in early-1900s Italy searches for a mystical sanctuary where her stillborn child can be brought back to life long enough to be baptized.

Italy, late 16th century, the Church, threatened by the Protestants, unleashes the Inquisition. Menocchio, an old, stubborn, self-educated miller oppose the new order. Accused of heresy, he ignores the pleadings and stands trial. The story of a man incapable of betraying his own principles.

Italy, late 16th century, the Church, threatened by the Protestants, unleashes the Inquisition. Menocchio, an old, stubborn, self-educated miller oppose the new order. Accused of heresy, he ignores the pleadings and stands trial. The story of a man incapable of betraying his own principles.

Summer 1996, north-east coast of Brazil. Tamara is enjoying her last weeks at the fishing village she lives in before departing to Brasilia for her studies. One day, she hears about a teenager nicknamed Heartless after a scar she has on her chest. Over the course of the summer, Tamara feels a growing attraction for this mysterious girl.

In northeast Italy is the Tagliamento River, tucked away almost like a secret spot on the border between Veneto and Friuli-Venezia Giulia. This documentary is a poem to that river and the people of the region, spirited, storied, and naturally beautiful.

Is a family with a disabled child a disabled family? For the last 16 years a group of parents have gotten together to talk about their routine and to find achievable and effective solutions to better the lives of their disabled children. The group has become a micro-society. The documentary allows itself to enter, to imagine and to share the reality of the world of disability.

No synopsis available yet.

Federico is an eighty-year-old impoverished nobleman seeped in Risorgimento ideals. He buys an extremely cheap apartment in Gorizia that looks out over Piazza della Transalpina. The reason the place costs so little is immediately clear: every day a man comes and sits on the Slovenian side of the border of the piazza and with impunity, brazenly stares fixedly at the windows of the apartment. For Federico, this becomes a challenge to be accepted forthwith.

Branko has been a truck driver for only a few months, a choice that is quite understandable, given that he now earns three times as much as he did as a schoolteacher. But everything has a price, which is not always quantifiable in terms of money. As children we were told: “work ennobles man”. But here the opposite seems true: it is Branko, with his efficiency, his obstinacy, his good will, who ennobles a job that grows more and more alienating, absurd and enslaving.

Branko has been a truck driver for only a few months, a choice that is quite understandable, given that he now earns three times as much as he did as a schoolteacher. But everything has a price, which is not always quantifiable in terms of money. As children we were told: “work ennobles man”. But here the opposite seems true: it is Branko, with his efficiency, his obstinacy, his good will, who ennobles a job that grows more and more alienating, absurd and enslaving.