Katia Gerou

In a suffering country somewhere in the near future, a community of misfits who live in a state of decadence and paranoia, tries to claim a decent life, fighting against an authoritarian oppressive regime.

A small town in northern Greece: the film begins with Anna’s monolog in a theater rehearsal in a coffee shop. Manos, obsessed with Panselinos (a 13th century Byzantine painter), himself hidden inside a trivial life, watches her. It is the turning point for both of them. Anna, married to an abusive man, is mesmerized by Manos’ paintings and his kindness. They develop a powerful passion

The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.

The film is a combination of documentary and fiction. A woman from the former Soviet Union, Irina, comes to Greece in search of a better life and falls victim to the sex slave trade (trafficking). She wanders around Athens in search of a friend of hers who has disappeared. Her story unfolds through a series of personal confessions. During these moments of reality, Irina is in some way present as a sort of "suffering angel" who comments on the aftermath, indirectly linking the present to the past, the real to the imaginary

Irina returns to Athens after long absence to find her step-brother. Her brother's friends, an American musician, a young Russian, a heritage-suitcase of her father and a series of odd events drift her into an inner journey...

A 50 year old journalist, son of a civil war hero, who died fighting for the right forces is shattered, when he recognizes him in a documentary, fighting for the communists. He starts searching for the truth, despite his family's objections, who fear that they will lose privileges if the status of the dead changes after the search.

A director is looking for a distributor to show his film.

A small town in northern Greece: the film begins with Anna’s monolog in a theater rehearsal in a coffee shop. Manos, obsessed with Panselinos (a 13th century Byzantine painter), himself hidden inside a trivial life, watches her. It is the turning point for both of them. Anna, married to an abusive man, is mesmerized by Manos’ paintings and his kindness. They develop a powerful passion