Morgan R. Stiff

Three poor Black kids in rural Mississippi reap the consequences of their family's cycle of abuse, addiction, and violence.

This collection of shorts focuses on the array of relationships boys have. Each film illustrates that there is no "norm" and how these boys are "No Ordinary Joes". Includes: Fruitcake (2003); George's Date (2005); Investigaytion (2004); No Ordinary Joe (2005); Porcelain (2004); Same Difference (2002); Spokes (1996); Work It Out (2001).

ONE BAD CAT is about the transformative role art plays in the tumultuous life of 82 year-old, African-American, renowned "outsider" artist Reverend Albert Wagner. He has been a lightening rod for controversy his entire life. Racism, ego and lust led him to the brink of ruin. Miraculously turned onto religion at age 50, he was inspired by God to paint, and become a famous artist for a mostly White clientele. From a racist Southern upbringing, in his later years his artwork railed against the lifestyles of members of the African-American community, which created as many detractors as champions. Near the film's conclusion, an ailing Albert comes to terms with his checkered past. Was Albert's penitence real and did he achieve redemption through his art?

A gay Filipino man goes home with a non-Asian man that he meets at a club. When he finds a chinaman figurine and other Asian knickknacks he's confronted with the issue of how race affects desire.

Three poor Black kids in rural Mississippi reap the consequences of their family's cycle of abuse, addiction, and violence.

This collection of shorts focuses on the array of relationships boys have. Each film illustrates that there is no "norm" and how these boys are "No Ordinary Joes". Includes: Fruitcake (2003); George's Date (2005); Investigaytion (2004); No Ordinary Joe (2005); Porcelain (2004); Same Difference (2002); Spokes (1996); Work It Out (2001).

ONE BAD CAT is about the transformative role art plays in the tumultuous life of 82 year-old, African-American, renowned "outsider" artist Reverend Albert Wagner. He has been a lightening rod for controversy his entire life. Racism, ego and lust led him to the brink of ruin. Miraculously turned onto religion at age 50, he was inspired by God to paint, and become a famous artist for a mostly White clientele. From a racist Southern upbringing, in his later years his artwork railed against the lifestyles of members of the African-American community, which created as many detractors as champions. Near the film's conclusion, an ailing Albert comes to terms with his checkered past. Was Albert's penitence real and did he achieve redemption through his art?

A gay Filipino man goes home with a non-Asian man that he meets at a club. When he finds a chinaman figurine and other Asian knickknacks he's confronted with the issue of how race affects desire.

A gay Filipino man goes home with a non-Asian man that he meets at a club. When he finds a chinaman figurine and other Asian knickknacks he's confronted with the issue of how race affects desire.